The life of air hostesses or flight attendants has always been of interest. From reel life in movies like Garam Masala and Anjaam to real life where Monica Bedi was spotted and offered a film, their jet setting life has enamored quite a lot of people. But no one has actually got down to understanding their daily routine and how they beat jetlag, as they change flights and move from city to city. The series based on booky by same name authored by Chris Bohjalian, tries to throw some light on this profession.
I was channel surfing on a boring day, not sure what I wanted to watch, my eyes fell on “Nobody”. There was Bob Odenkirk, probably lying on the ground, and many fists landing on his contorted face. Images of Saul Goodman from “Better Call Saul” & “Breaking Bad”, who usually got roughed up or picked up by gang members, started popping out of my memory. I had never seen Bob in a movie before, so I felt, this was as good a time as any, to watch a full fledged movie of Bob Odenkirk.
Right in the middle of the movie, Nangia, played by Neeraj Kabi, delivers a lecture in a seminar on how development and environment does not go hand in hand. Hence, we should strive for a balance, where both can coexist, exclaims Nangia.
It has been 20 years since I graduated from high school. We wanted to have a reunion of few close buddies who are still in touch. The last such reunion we had was in 2019, when a pal from Canada and another from Australia were visiting India during the year-end holiday. Of course, soon Corona virus hit us and we all were trapped in our homes.
As the title suggests, the movie is set in the future 2030 AD, where people are struggling with a virus for which there is still no cure. The short film starts with a couple, in a high rise in Mumbai, overlooking the Worli Sealink, where the wife Shivika is lying infected in the bed, while hubby Manik does the daily chores and takes care of her.
It’s a very depressing tale where the couple has zero interaction, as Manik places the breakfast on her side table and just leaves, while Shivika is cooped up in the room that’s covered with plastic sheets, from wall to wall. It probably means that, the plastic is disposed off every few days, and fresh ones placed, so that the doors, walls, windows and ceilings remain clean. That itself paints a grim picture of how life would be, if we are not able to find a cure for the current pandemic which has clenched the entire globe.Continue reading “Short Film ‘Infected 2030’: Fear & Loathing in the Pandemic”
India is facing a challenge, we do not have vaccines, the Government is busy building a palace for Prime Minister Modi, while Indians all over the country are dying due to lack of oxygen, beds and vaccines. The Government is not paying heed to it has made this crisis worse and has hit the middle class and cities. This makes me wonder, what about people who do not have access to technology? How do they air their grievances? The prologue is related to the theme of the movie Aakrosh. What do the voiceless do when they are failed by the very system which is supposed to protect them?
Aakrosh begins as a legal thriller where we see Lahanya (Om Puri) being accused of murdering his wife and the film directly does not answer the question for a major part of the film. The film is not interested in the crime or condemning it, but more interested in how of it and not the why of it.
Then we have Dusane (Amrish Puri) who is from the Tribal community but has been assimilated into the upper class society because of the position he holds. He knows he is a part of the society and shares the table with bigwigs because of his position. He is sure that he may be welcomed socially, but will never be a part of the upper caste club.
Then we have Bhaskar Kulkarni (Naseeruddin Shah) a rookie lawyer whose father has groomed Dusane and is an idealistic who is navigating the world of caste, politics, and justice. The film is mostly depicted through the viewpoint of this protagonist
At first, he is more concerned about his career and how it will affect his career as a lawyer. He is frustrated by what he thinks is a lack of cooperation by his client. He is met with silence everywhere he goes, he thinks that it is their arrogance or ungratefulness on how these people cannot work with this great system. What he does not know is the system is just to give a moral and legal cloak for those who are in power and can oppress those who do not have a voice.
Bhaskar is an interesting protagonist. He is not someone who is trying to change the system, his belief in the system is intact. You cannot fault him, for the person he is. And because of the genetic advantage of being born in a certain caste, he does not have to face discrimination in his life. When he discovers the gutter of corruption and greed, he is shaken and scared at first. He gets to fight the system in his way only to be greeted with disillusionment.
Nothing is black and white in this Govind Nihalani directorial debut where he is aided by the genius Vijay Tendulkar. This is not a film that gives any comfort. It is a film that causes you discomfort and makes you think that we all are part of the system and in a way, we also play an active part in this action.
Om Puri as Lahanya delivers one of the finest performances in his career. The anger which comes due to helplessness is solely conveyed through his eyes, and way he cries at the end of the movie is so haunting. Om went on to do another angry man role with panache in Nihalani’s next Ardh Satya.
Smita Patil‘s role sadly doesn’t have much scope to offer and it is sad she is just used as an ornamental piece in the film.
Amrish Puri cast in a role that is a far cry from his usual Bollywood roles reminds me why he is such a good actor. Naseeruddin Shah as a young lawyer is a delight to watch. But to think of a him as a Marathi Brahmin guy requires suspension of disbelief.
Govind has cast Marathi actors for non-important roles, but surprisingly for lead roles he went with a non-Marathi cast who do not look or talk like Marathis. Not that I am holding a grouse against him for this, but casting Marathi actors in key roles would have helped the film a lot.
That aside, Aakrosh is one of the best films to come out of India. Do give it a try.
The film is streaming on Amazon Prime India and Hotstar (in a censored version).
I remember watching Fandry in a packed theatre and the audience laughing at the character and his mishaps, but then came the gut-wrenching climax and the audience went numb because it exposed them. I cannot remember such a stunning silence after a movie, here I thought was a director who has failed but then he has done a much bigger job as he had shown us the mirror.
Kavalthurai Ungal Nanban (KUN) has been making some noise since it was released and it is presented by one of India’s best directors, Vetrimaaran I was waiting for the film to stream on OTT. The film is now streaming on Zee5.
‘Fuck all your wicked corruption
It’s been there since our inception, but we couldn’t see
All the times we’ve felt so hollow
As our hopes were hanged in gallows
All this time we’ve been locked away
And there was nothing left to say
Goodbye to Gravity – a heavy metal band – performs this song at a concert in what seems like a clip recorded on a phone. Given the genre, the song is more a roaring cry. Fittingly, the end of the high octane performance is met with a fireworks display. As the vocalist is acknowledging the applause, he notices that a spark from the firework has lit the sound proof ceiling of the nightclub named Colectiv that they are performing in. “That’s not part of our performance”, he quips. Wit then gives way to fear as he asks if there is a fire extinguisher around. He receives no response. Flames start erupting from the ceiling. Chaos and cries of fear engulf the arena. The handheld device shakes violently, screams and wails can be heard, silhouettes are barely discernable in the blaze of the fire. And then suddenly the screen goes blank.
The name of the song performed – The Day We Die.
Some stars have made careers out of making “masala” entertainers, like Rajnikanth, Mithun, Akshay to some extent; and audiences don’t really care for reviews or others opinions on their movies, since they want to watch unadulterated entertainment. Our most wanted bhai’s movie, also falls in this category.
I had read couple of accounts in newspaper of how stowaways used to cling onto the wheels of the airplane or hide someplace in the cargo containers of ships, and sometimes in toilets; just to escape from whatever they have been facing. It was never for thrill of it, but always for a specific need like illegal emigration to better pastures.
Nayattu is a tale of the hunters being hunted. We have 3 cops, a by-election and hit-and-run case, and the death of a Dalit, this makes for an interesting concoction for Martin Prakkat’s new film.
They say that life imitates art and vice versa, last night I ended up thinking of the same in a strange manner. I took a nostalgic trip back in time, to a period when I was in my final year of college and discovering the joys of alcohol. It was the first time in my life that I had a lot of freedom. With my family having shifted to another city, I chose to avoid the college hostel, preferring instead to living with 5 other friends in a compact independent house. I was specifically reminded of a month where all of us ended up experimenting with alcohol consumption, just for fun of course, going on to learn and unlearn a few things in the process. If you are wondering, why am I ranting about an old story, don’t worry as that is not what this post is all about. But its hard not to watch Thomas Vinterberg’s latest film Another Round (Danish title-Druk) and not reflect upon one’s own tryst with booze.
As Guns & Guitars recently made its debut in the OTT platform MUBI India, it seems like a good time to revisit our sojourn in Shillong, the rock capital of India, during the shoot of the film.
By now we all know the importance of OTT/digital platforms and their impact upon our lives, the pandemic having the environment around us. With cinemas remaining closed for several months & with several issues plaguing the entertainment sector even today, it’s very unclear as to how things would turn out for the industry for the rest of 2021 as well. While the Internet and Mobile Association of India (IAMAI) has been in the news of late for the development of a ‘toolkit’ by 17 major OTT platforms, in line with the implementation of the self-regulation code that was introduced in 2020, now they have made a major announcement, all these 17 major OTT platforms will offer one month’s free subscription to Indian consumers.Continue reading “Breaking News: Leading OTT Platforms to Offer a One-Month Free Subscription for Indian Audience, Move Aimed at Widening Subscription Base”
The 67th National Film Awards were announced earlier today in New Delhi. This was after a long delay of a year or so due to the ongoing Covid-19 pandemic. The awards are for films from the year of 2019. The announcement event was organised by the Directorate of Film Festivals, which comes under the Ministry of Information and Broadcasting.Continue reading “67th National Film Awards (for films from 2019): List of Winners”
Covid-19 has given a break to theatre-going experience across the globe. Even though Indian cinema halls have opened up slowly from October 2020 onwards, there has been no tentpole release which has revived the fortunes of cinema halls so far. December saw the release of Telugu film Solo Brathuke So Better which indicated that the audience in Southern India is willing to watch movies in the theatre. With this being the Pongal/Sankranti week in India, we have two films in Tamizh and three in Telugu (plus Master’s dubbed version) hitting marquee in a span of less than a week. If we go by the initial response, it is sure that cinemas are here to stay and co-exist with OTT. Continue reading “Master (2021) Movie Review: Vijay Shines, Lokesh Flatters to Deceive”
China is a country which is known for stealing ideas and not respecting copyrights of anyone in the world and also known for deliberately hiding the spread of China Virus aka Covid 19 and putting the entire world to the risk for years to come. Like the typical Chinese mentality which is to knock off better products and make cheaper replacements, the Chinese Communist Government has been encouraging propaganda films. There is no harm in it, the Nazis and Russians did it too and it worked for them. Propaganda films can be interesting if it is engaging otherwise it just is another press release from the Government which no one bothers to read but mainstream media is forced to carry out due to the pressure from higher-ups. Continue reading “Vanguard (2020): Another Wolf Warrior Propaganda film”
The world has moved on but clearly Anurag Kashyap and his coterie have not. Way before one of our most influential leaders (whose followers are known to be bhakts), Kashyap cracked the formula on Twitter by abusing everyone and he could do better, but when it came to delivering Kashyap does not have a great record. Testimony to this fact is this movie (AK vs AK) where talks more about Allwyn Kalicharan, his shelved film than the films that he made. Continue reading “AK vs AK (2020 Netflix Film): Bas Kar Bey”
David Dhawan is now on a quest to position his son as the next Superstar of Bollywood remaking his own remakes, but then this time it flatters to deceive. Coolie No 1 (1995) itself is a problematic film if you look at it. There is a person who catfishes a female to marry her and the film does not show any remorse on his part and justifies it by saying that as her father wanted her to have a secure life, the daughter deserves to be cheated. Continue reading “Coolie No 1 (2020- Amazon Original): The Curse of Nepotism in Bollywood”
In 1991, Jatin Pandit gave music for the classic chartbuster “Bin Tere Sanam” from the movie Yaara Dildara. After 30 years, he has penned a new original song with the words “Bin Tere” for his son Raahul. Commenting on the same, Raahul said, “Both are very different types of songs. Honestly, I had never even thought about this comparison earlier. It just a twist of fate that both the songs have the words “Bin Tere” in them. My dad and my uncle Lalitji have given some incredible music – today it’s hard to imagine anybody giving so many great songs one after another. I have just started my journey as a musician, as an artist, as a singer. There is a long way to go, and I can never even think of comparing myself to my dad and my uncle. They have done some landmark work, work that is kind of just irreplaceable in today’s day and age. I have composed Bin Tere from my heart and that’s about it. I just hope that everybody likes it.”
There are a lot of different interpretations of what a ‘silent crime’ can be. While pandemic still continues to rage around the world, Bandra Film Festival, a digital film festival presented by Filmkaravan in collaboration with YouTube is all set to stream some really poignantly introspective drama movies based on silent crimes. Crimes which we see happening in our daily lives, some which we ignore to speak against or worse still stay mute allowing it to happen .The posters of the films were unveiled recently on BFF’s social media and we can’t wait to watch them.
The festival’s next line-up of films themed ‘Silent Crime’ opening with ‘Vanaja’ a gem from the past, is a spirited drama film in Telugu directed by Rajnesh Domalpalli, dealing with a young girl trying to find her self-worth in the midst of a repressive caste system and physical abuse. ‘Tipu’ directed by Mihir Lath is a short heart wrenching drama about a 6-year-old transgender kid Tipu who is sent away to live amidst the transgender community against his own will by his own family, all the time thinking he has been abducted by witches and finally, ‘Crash’ a docu fictional film directed by Rajdip Ray takes a look on the impact of road accident on the people, their apathy, calculated concerns & emotions in the locality where the accident takes place.
Speaking about the thematic line up,Namrata Grewal from Marketing & Communication at BFF said, “ Silent Crime’ is an interesting term, because it’s not a cut and dry genre to define, like, say, ‘comedy’ or ‘horror.’ That means there are crimes going on that are not acknowledged, ignored or worse still hushed by society’s apathy. This is a genre which will keep the audiences hooked to their screens. BFF programmed this new thematic line up ‘Silent Crime’ so that our audiences can continue to have the opportunity to watch a wide range of films from the comfort of their homes and in coming days more movies will be added on BFF’s platform.“
You can watch the movies here –
Aati Rahengi Baharein – Music for the Soul Collection
In the group of legendary Indian film composers, Rahul Dev Burman stands apart. Even though it’s been two and a half decades since RD Burman (aka Pancham Da) passed away, his music continues to captivate the imagination of musicians and music enthusiasts to this day. He is remembered as the musical genius who had a unique style of composing music and inspiring many singers.
Singer-song writer Shayan Italia’s latest single, Warriors has been well received by people so far, being noticed for its theme, music and lyrics. In a recent conversation with us Shayan spoke to us about his experience on coming up with Warriors and a few other things. Here’s an excerpt from that conversation-