Aakrosh(1980): The Anger of the Voiceless

India is facing a challenge, we do not have vaccines, the Government is busy building a palace for Prime Minister Modi, while Indians all over the country are dying due to lack of oxygen, beds and vaccines. The Government is not paying heed to it has made this crisis worse and has hit the middle class and cities. This makes me wonder, what about people who do not have access to technology? How do they air their grievances? The prologue is related to the theme of the movie Aakrosh. What do the voiceless do when they are failed by the very system which is supposed to protect them?

Aakrosh begins as a legal thriller where we see Lahanya (Om Puri) being accused of murdering his wife and the film directly does not answer the question for a major part of the film. The film is not interested in the crime or condemning it, but more interested in how of it and not the why of it. 

Then we have Dusane (Amrish Puri) who is from the Tribal community but has been assimilated into the upper class society because of the position he holds. He knows he is a part of the society and shares the table with bigwigs because of his position. He is sure that he may be welcomed socially, but will never be a part of the upper caste club. 

Then we have Bhaskar Kulkarni (Naseeruddin Shah) a rookie lawyer whose father has groomed Dusane and is an idealistic who is navigating the world of caste, politics, and justice. The film is mostly depicted through the viewpoint of this protagonist 

At first, he is more concerned about his career and how it will affect his career as a lawyer. He is frustrated by what he thinks is a lack of cooperation by his client. He is met with silence everywhere he goes, he thinks that it is their arrogance or ungratefulness on how these people cannot work with this great system. What he does not know is the system is just to give a moral and legal cloak for those who are in power and can oppress those who do not have a voice. 

Bhaskar is an interesting protagonist. He is not someone who is trying to change the system, his belief in the system is intact. You cannot fault him, for the person he is. And because of the genetic advantage of being born in a certain caste, he does not have to face discrimination in his life. When he discovers the gutter of corruption and greed, he is shaken and scared at first. He gets to fight the system in his way only to be greeted with disillusionment. 

Nothing is black and white in this Govind Nihalani directorial debut where he is aided by the genius Vijay Tendulkar. This is not a film that gives any comfort. It is a film that causes you discomfort and makes you think that we all are part of the system and in a way, we also play an active part in this action. 

Om Puri as Lahanya delivers one of the finest performances in his career. The anger which comes due to helplessness is solely conveyed through his eyes, and way he cries at the end of the movie is so haunting. Om went on to do another angry man role with panache in Nihalani’s next Ardh Satya

Smita Patil‘s role sadly doesn’t have much scope to offer and it is sad she is just used as an ornamental piece in the film. 

Amrish Puri cast in a role that is a far cry from his usual Bollywood roles reminds me why he is such a good actor. Naseeruddin Shah as a young lawyer is a delight to watch. But to think of a him as a Marathi Brahmin guy requires suspension of disbelief. 

Govind has cast Marathi actors for non-important roles, but surprisingly for lead roles he went with a non-Marathi cast who do not look or talk like Marathis. Not that I am holding a grouse against him for this, but casting Marathi actors in key roles would have helped the film a lot.

That aside, Aakrosh is one of the best films to come out of India. Do give it a try. 

The film is streaming on Amazon Prime India and Hotstar (in a censored version)

 

Karnan (2021) Movie Review: The Missing C Factor

I remember watching Fandry in a packed theatre and the audience laughing at the character and his mishaps, but then came the gut-wrenching climax and the audience went numb because it exposed them. I cannot remember such a stunning silence after a movie, here I thought was a director who has failed but then he has done a much bigger job as he had shown us the mirror. 

Continue reading “Karnan (2021) Movie Review: The Missing C Factor”

Kavalthurai Ungal Nanban (2021) Movie Review: The System and the Common Man

Kavalthurai Ungal Nanban (KUN) has been making some noise since it was released and it is presented by one of India’s best directors, Vetrimaaran I was waiting for the film to stream on OTT. The film is now streaming on Zee5. 

Continue reading “Kavalthurai Ungal Nanban (2021) Movie Review: The System and the Common Man”

Nayattu (2021) Movie Review: The use of Formula to Experiment

Nayattu is a tale of the hunters being hunted. We have 3 cops, a by-election and hit-and-run case, and the death of a Dalit, this makes for an interesting concoction for Martin Prakkat’s new film. 

Continue reading “Nayattu (2021) Movie Review: The use of Formula to Experiment”

Master (2021) Movie Review: Vijay Shines, Lokesh Flatters to Deceive

Covid-19 has given a break to theatre-going experience across the globe. Even though Indian cinema halls have opened up slowly from October 2020 onwards, there has been no tentpole release which has revived the fortunes of cinema halls so far. December saw the release of Telugu film Solo Brathuke So Better which indicated that the audience in Southern India is willing to watch movies in the theatre. With this being the Pongal/Sankranti week in India, we have two films in Tamizh and three in Telugu (plus Master’s dubbed version) hitting marquee in a span of less than a week. If we go by the initial response, it is sure that cinemas are here to stay and co-exist with OTT. Continue reading “Master (2021) Movie Review: Vijay Shines, Lokesh Flatters to Deceive”

Vanguard (2020): Another Wolf Warrior Propaganda film

China is a country which is known for stealing ideas and not respecting copyrights of anyone in the world and also known for deliberately hiding the spread of China Virus aka Covid 19 and putting the entire world to the risk for years to come. Like the typical Chinese mentality which is to knock off better products and make cheaper replacements, the Chinese Communist Government has been encouraging propaganda films. There is no harm in it, the Nazis and Russians did it too and it worked for them. Propaganda films can be interesting if it is engaging otherwise it just is another press release from the Government which no one bothers to read but mainstream media is forced to carry out due to the pressure from higher-ups. Continue reading “Vanguard (2020): Another Wolf Warrior Propaganda film”

AK vs AK (2020 Netflix Film): Bas Kar Bey

The world has moved on but clearly Anurag Kashyap and his coterie have not. Way before one of our most influential leaders (whose followers are known to be bhakts), Kashyap cracked the formula on Twitter by abusing everyone and he could do better, but when it came to delivering Kashyap does not have a great record. Testimony to this fact is this movie (AK vs AK) where talks more about Allwyn Kalicharan, his shelved film than the films that he made. Continue reading “AK vs AK (2020 Netflix Film): Bas Kar Bey”

Coolie No 1 (2020- Amazon Original): The Curse of Nepotism in Bollywood

A good part of the 90s was a golden time for David Dhawan and Govinda most of which were remakes of Tamil and Telugu films. For example Coolie No 1 is a remake of the Tamizh film Chinna Mapillai. 

David Dhawan is now on a quest to position his son as the next Superstar of Bollywood remaking his own remakes, but then this time it flatters to deceive. Coolie No 1 (1995) itself is a problematic film if you look at it. There is a person who catfishes a female to marry her and the film does not show any remorse on his part and justifies it by saying that as her father wanted her to have a secure life, the daughter deserves to be cheated. Continue reading “Coolie No 1 (2020- Amazon Original): The Curse of Nepotism in Bollywood”

Laxmii (2020 Disney Hotstar Original): The Bomb That Fizzles Out

Laxmii is a remake of the Tamil Kanchana/Muni universe. The Hindi version comes after 10 Years of the original where much has been changed. In fact, the Tamizh mainstream movie also has changed the format of narration, we do not get now a separate comedy track in Tamil cinema which was a staple back then. I must admit I have watched all the original films and it is a guilty pleasure.Continue reading “Laxmii (2020 Disney Hotstar Original): The Bomb That Fizzles Out”