This year a popular brand is introducing some new categories in their film awards and I thought I might help them with the finalists.
Best lead Actor in a static role: John Abraham for Dishoom- He manages to keep the same expression throughout the movie, a feat which not even accomplished actors like Naseer have been able to do. For this, he has even managed to get a lifetime award nomination competing strongly with Sunil Shetty. Moreover, his abs have started acting better though a similar feat was attempted by his bare bottom earlier. The director had to give him a cigarette throughout the movie to ensure that he didn’t give any unwanted expressions either.Continue reading “Dishoom: The Battle of the Beefcakes”
Rohit Dhawan is an interesting name for a Hindi film director. The man obviously gets his surname from his iconic father, David, but it is his first name which lends an aura of interest to this entire name business. Rohit Dhawan seems to be inspired by ‘100 crore’ man Rohit Shetty and his stylized action sequences, and when you mix it with the inherent David Dhawan brand of humor and a bit of more inspiration from Hollywood buddy movies, you have the brand new Dhawan on the block.Continue reading “Dishoom Movie Review: Typical ‘Entertainer’ that Respects Your Time for a Change”
In the midst of all the offbeat plots covered by Bollywood in 2016, like Kapoor and Sons, Ki and Ka, Neerja, Udta Punjab etc, there are times when one ends up craving for some old school masala, although lately, it’s only the Khans who’ve managed to keep the genre alive, especially with Salman Khan’s Sultan ending up as a monster hit. So when the trailers of Dishoom showed up, they promised old school masala with a mix of maar dhaad action and some David Dhawan styled humor, but does Dishoom deliver on this promise?Continue reading “Dishoom Movie Review: Sucker Punch”
What do you really expect when you walk in to a theater to watch a film like Housefull 3? If you have been aware of the previous two films of the franchise, then obviously, you will expect the silly and the dumb to play out in equal proportions, right? If you have not, then it might be nightmarish. But then Housefull is a genre film, created by Sajid Khan, who helmed the reins of previous two films as well. However, in this one, producer Sajid Nadiadwala has handed over the command to Sajid – Farhad, who have written many films for Rohit Shetty and directed the 2014 disaster, Entertainment. No big hopes, there! In my honest opinion, Housefull was a decent watch but Housefull 2 got excruciating. That apart, when the franchise is sort of successful and into its third film, one cannot continue complaining about the genre of it all. Yes, Housefull films rest on wafer-thin plots, lot of exaggerations, silly jokes, under-written female characters, cheap potshots on sensitive issues and a hell lot of caricature. But can they entertain? Because if they can, without crossing the line of humor of course, then the purpose is fulfilled. Intelligence may be insulted but the ticket price cannot be considered to have been completely wasted, no matter what you choose to believe.Continue reading “Housefull 3 Movie Review : Jaundice Better Or Typhoid?”
Brothers- the official remake of ”Warrior”- sees Akshay Kumar in one of his best and intense roles. But trying to strike the balance between Bollywood and Hollywood, the director Karan Malhotra gets confused and gives us a mediocre version of what could have been a big blockbuster.Continue reading “Brothers: A Quick Review”
I haven’t yawned this much while watching a film in a long long time. Yes, Brothers is a rare gem of a film in that sense. But, I have had this feeling of ‘when will this film end’ for so many other Hindi films that have released this year. Brothers is truly run-of-mill in that sense.
Karan Malhotra, the director who gave us the commercially successful but perennially boring remake of the 90s cult classic Agneepath, comes back with another remake in form of Brothers (official remake of 2011 Hollywood film Warrior and does exactly what he has done before – he bores us to death. Okay, near death (conceding the fact that I am still alive to write this review). At times, I struggle to respond to those ever-inquisitive souls who come up to you after you have watched a film and ask you – how was it? A film like Brothers makes your job easier– you can simply say ‘boring’ and the answer shall perfectly suffice.Continue reading “Brothers Movie Review: Mother of Yawns and False Dawns”
A film critic turning into a film director is a mouthwatering prospect. Karan Anshuman does the courageous act with Bangistan and you expect the nitty gritties of the film to be tightened. After all, those who throw stones at others should know how to save themselves if those stones are tossed back at them!Continue reading “Bangistan Movie Review: Only if There Were More Laughs”
A lot is being said and written about this weekend’s big release, Roy. If only it did not feature the leader of Bollywood’s ‘actor who can act’ brigade, Ranbir Kapoor, we could have easily written it off as another tank by Arjun Rampal or Jacqueline Fernandez. But then to inject star value into it, T-Series decided to cast Kapoor, and that too in ‘a dynamic role’ meekly imitating the ‘modest’ credit given to him as the film begins. The trailer looked a sure misfire, but the songs worked wonders, much like any other T-Series film. But is that enough? Well, as we see around now, almost every one out there is appealing to debutante writer-director Vikramjit Singh to stand with a boombox and apologize. Sigh, so much thwart for a mere film. Not so advisable to proclaim but in all honesty, I must admit that I fairly liked Roy. Not because it is brilliant or great, only because it is ambitious, and even when it fails, it doesnt make an almighty mess. Continue reading “Roy Movie Review : Ambitious, Faulty and Not For Everyone”
I took an additional day after watching Salman Khan’s Kick to consolidate my thoughts about the film before I put them down here for you. As a movie analyst, it is imperative that I do not let any predilection cloud my objective point of view about the film, nor should I project my immediate reaction of it without giving it a second thought. Having said that, we can all revel in the fact that ‘Bhai’ is back this Eid. Yes, and his latest offering is directed by his long time producer Sajid Nadiadwala who makes the jump with this film. Post the debacle of Jai Ho earlier this year, Salman went all out selling Kick to the world, shrugging complacency out of himself. Rightly so. He must not throwaway the super stardom he has worked so hard for, only due to one film. Mounted on an ominously large scale, Bhai fans (read Bhai-tards) looked forward to it with bated breath. Continue reading “Kick Movie Review : Definitely Not A Kick In Your Guts”