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It starts with a rousing monologue. The revolutionary soliloquy leaves no space for ambiguity as far as the ideology of the filmmaker is concerned. But yet, it contains enough to indicate that he is also capable of unbiased introspection.
Continue reading “Govind Nihalani’s Party (1984): A Rare Beast”
Om Sankar always wanted to become a filmmaker. But he went on to become an astro physicist from Ajmer. Actually his father forced him in to becoming a scientist. Now this kind of ‘educational abuse’ is very common among Tam Brahms. But his father belonged to ‘anusuchit jati’. There are two versions of this story, one that his father made a fraudulent caste certificate to help his relatives, second is that he was actually from ‘anusuchit jamati’ , but government thought that his jamati no longer constitutes a vote bank. Whatever be the point is he now neither a Tam Brahm nor from ‘anusuchit jati and jamati’.
Continue reading “A Tribute to Kamal Swaroop’s Om Dar B Dar”
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