It starts with a rousing monologue. The revolutionary soliloquy leaves no space for ambiguity as far as the ideology of the filmmaker is concerned. But yet, it contains enough to indicate that he is also capable of unbiased introspection.
There are some movies which get a cult following, but probably do not receive much adulation during its time of release. Though Sudhir Mishra’s Iss Raat Ki Subah Nahin is still talked about, I still feel that the film has not got the love it deserves. Even though I have watched the film in bits and parts earlier, now thanks to the lockdown I watched this film again on Amazon Prime. The noir film might seem normal now, but back in those days it was supposed to be path breaking.Continue reading “Iss Raat Ki Subah Nahin (1996): Sleepless in the city of Bombay”