Salman Khan’s Tiger 3 (2023) Movie Review: Family Man Saving Terrorist State

The Tiger series started with Kabir Khan helming them and it was like a breath of fresh air for YRF who generally are seen to follow trends but never create anything new in terms of storytelling or genre. While the first part was a combination of docu-fiction from Kabir plus Bollywood pulp, it had the right amount of wit, romance, and action to make audiences hooked to it.

Then came the second part (Tiger Zinda Hai) , which I feel was the best, as it upped the ante in terms of emotion and action and gave Katrina Kaif a space which was not even visible in the first part. I was eager to watch the third part considering that I enjoyed the first two parts purely as pulp and was keen to see how Maneesh Sharma brings something new to the table.

Considering this is the first genuine film in the so called YRF Spy universe, the prologue was interesting and it sets up the tone for the film. What follows is an interesting sort of marital discord or suspicion in a spy thriller. This film’s best writing is seen for the first 30 minutes and then somehow the magic is not maintained. I would love to see such a tango between a husband and wife.

The action sequences are entertaining, the best one do not feature Salman but Katrina in a Turkish hamam. Tiger 3 also shows how Bollywood has moved on, there are no songs in the movie, apart from one which is also used to move narrative compared to the first part where songs were a must. The movie also sticks to its genre and it kind of becomes tiring for the audience as I missed the wit and banter of the first two parts.

Spoiler Alert Starts

Now coming to the cameo-

The Shah Rukh Khan cameo does not work at all, one reason being he does not have a loyal fan following like Salman and his screen presence is lacking. It may be because we are used to seeing Salman as Tiger so the charisma of character and star was there. Pathaan is just one film old, and people who enjoyed it were experiencing it as SRK’s comeback and not the character.

Moreover, the situation here is the same as that of Pathaan so it adds to drudgery and Tiger is a way bigger character than Pathaan in minds of viewers. Sadly, all jokes fall flat right from homage to Sholay to Karan Arjun in this scene. And the movie’s weakest action sequence is this rescue scene.

End of Spoiler Alert

Salman does what is required of him, and it works. The film does not require heavy duty acting. Emraan Hashmi as the central antagonist is given a raw deal and I wish the character was written more deeply. Katrina deserves her stand alone film as Zoya.

My major problem with the film is that while the first half is personal for both Tiger and Zoya, the second half is all about saving Pakistan and their democracy. There in lies the problem, the country has not seen a democratically elected government serving the full 5 years term since the formation of the country. Pakistanis do not care about democracy.

The stake for Indian audiences is bare minimum since there is no harm to India. It is like watching a James Bond movie where he saves the Russian Communist regime instead of handling threats which the UK is facing.

Also considering that YRF do not read or have this rose-tinted notion of Pakistan, in the movie it is implied only rogue ISI is against India, when even an uneducated Indian knows that Pakistan’s identity is based on annihilating Indians and India.

All said and done Tiger 3 is one of better masala movies of this year, we hardly had any this year.

Jab Harry Met Sejal Movie Review: Tab Head Met Wall!

There’s a moment, bang in the middle of Jab Harry Met Sejal, when one of the titular characters remarks snidely “This is silly, we need to get out of here”, and you end up thinking to yourself, what if the same had been said by Aditya to Geet (Jab We Met) or Tara to Ved (Tamasha), the seeming voices of reason asking a dreamer to change course, to not fly too close to the sun, to stop sprinting and take a breath. When the promos of JHMS first showed up, it seemed like yet another Imtiaz Ali tale of two strangers in a strange land, but when the two strangers happen to be Shahrukh Khan and Anushka Sharma, can the magic of Jab We Met, the soulfulness of Highway and the pathos of Tamasha be captured again on celluloid?Continue reading “Jab Harry Met Sejal Movie Review: Tab Head Met Wall!”

Jagga Jasoos Movie Review: Arrested Development

Let’s be honest here, as a desi audience that’s grown up on Bollywood Masala, we are definitely no strangers to the musical. But in Jagga Jasoos, director Anurag Basu tries to push the envelope by presenting most of the movie in tune and verse, an attempt to bring Broadway to Bollywood, something we probably last saw in Shirish Kunder’s equally befuddling debut effort, Jaan-E-Mann. But with an experienced hand such as Basu at the realm, some stunning cinematography by Ravi Varman, as promised in the promos, a promising soundtrack by Pritam, and an extremely good-looking starcast, does this audacious experiment work?Continue reading “Jagga Jasoos Movie Review: Arrested Development”

Dangal Movie Review: Patriarchal Smackdown

There is something about a sports film that ends up being an enjoyable watch in spite of the predictability of most films that come under the genre. You have your standard tropes, the grizzled mentor, the talented underdog, the merciless system ever ready to crush their spirits, the smug opponent with a sneering coach, the adrenaline rush of the training montage, and all of it culminating in a nail-biting and eventually mood elevating victory against all odds.Continue reading “Dangal Movie Review: Patriarchal Smackdown”

Ae Dil Hai Mushkil Movie Review : Karan Johar re-invented

Are emotions inherently adolescent? Karan Johar thinks so, as he gets Ranbir Kapoor – who has built his career playing the man-child needing a relationship to grow up – to play his surrogate. He names his character Ayan – of course after his still-growing-up protege Ayan Mukherjee (director of 2 movies starring Ranbir getting life lessons from sorted women) – who is an adolescent navigating a world of adult relationships, finding it impossible to deal with his one-sided love. In the process of making Ayan realise “That’s life buddy!!!”, Karan Johar comes up with a movie which is essentially a distillation of all Imtiaz Ali movies into a tremendously clear minded closure to unrequited love and everything that comes along with it.Continue reading “Ae Dil Hai Mushkil Movie Review : Karan Johar re-invented”

Musings Over The Diwali Releases: ADHM v/s Shivaay

This is not a review of either of the Hindi Diwali releases that hit the theatres over the weekend. Neither is this post devoid of spoilers, so read ahead only if you are okay with those two warnings.Continue reading “Musings Over The Diwali Releases: ADHM v/s Shivaay”

Ae Dil Hai Mushkil: A Quick Review

Here comes a complicated, contemporary, mature, quadrilateral love story from Karan Johar…well not actually. It is a story of Love, Love lost and Lust with sprinklings of friendship. KJo- true to his reputation weaves a web for his NRI audience with a multi- country, multi-emotional, musical that has you riveted to your seat for the most part atleast. And thankfully there are no uncles, aunts, bhangra songs or sunflower fields!!!Continue reading “Ae Dil Hai Mushkil: A Quick Review”

Ae Dil Hai Mushkil Movie Review: Except for the Last 30 Minutes, the Film is a Total Hoot

aedilhaimushkil-ranbir-aishwarya-anushkaAll of us are becoming increasingly impatient. Before you even read this review, you perhaps want to know whether you should watch Ae Dil Hai Mushkil or not; and if the film is worth all the hype and expectations. I usually reserve this verdict for the later part of the review but considering this is the season of Diwali generosity and more importantly some things need to be stated first up, I will answer that coveted question by putting forth a single argument or plea. if you want to call it that.Continue reading “Ae Dil Hai Mushkil Movie Review: Except for the Last 30 Minutes, the Film is a Total Hoot”

Dishoom: The Battle of the Beefcakes

This year a popular brand is introducing some new categories in their film awards and I thought I might help them with the finalists.

Best lead Actor in a static role: John Abraham for Dishoom- He manages to keep the same expression throughout the movie, a feat which not even accomplished actors like Naseer have been able to do. For this, he has even managed to get a lifetime award nomination competing strongly with Sunil Shetty. Moreover, his abs have started acting better though a similar feat was attempted by his bare bottom earlier. The director had to give him a cigarette throughout the movie to ensure that he didn’t give any unwanted expressions either.Continue reading “Dishoom: The Battle of the Beefcakes”