Jab Harry Met Sejal Movie Review: Tab Head Met Wall!

There’s a moment, bang in the middle of Jab Harry Met Sejal, when one of the titular characters remarks snidely “This is silly, we need to get out of here”, and you end up thinking to yourself, what if the same had been said by Aditya to Geet (Jab We Met) or Tara to Ved (Tamasha), the seeming voices of reason asking a dreamer to change course, to not fly too close to the sun, to stop sprinting and take a breath. When the promos of JHMS first showed up, it seemed like yet another Imtiaz Ali tale of two strangers in a strange land, but when the two strangers happen to be Shahrukh Khan and Anushka Sharma, can the magic of Jab We Met, the soulfulness of Highway and the pathos of Tamasha be captured again on celluloid?Continue reading “Jab Harry Met Sejal Movie Review: Tab Head Met Wall!”

Jagga Jasoos Movie Review: Arrested Development

Let’s be honest here, as a desi audience that’s grown up on Bollywood Masala, we are definitely no strangers to the musical. But in Jagga Jasoos, director Anurag Basu tries to push the envelope by presenting most of the movie in tune and verse, an attempt to bring Broadway to Bollywood, something we probably last saw in Shirish Kunder’s equally befuddling debut effort, Jaan-E-Mann. But with an experienced hand such as Basu at the realm, some stunning cinematography by Ravi Varman, as promised in the promos, a promising soundtrack by Pritam, and an extremely good-looking starcast, does this audacious experiment work?Continue reading “Jagga Jasoos Movie Review: Arrested Development”

Dangal Movie Review: Patriarchal Smackdown

There is something about a sports film that ends up being an enjoyable watch in spite of the predictability of most films that come under the genre. You have your standard tropes, the grizzled mentor, the talented underdog, the merciless system ever ready to crush their spirits, the smug opponent with a sneering coach, the adrenaline rush of the training montage, and all of it culminating in a nail-biting and eventually mood elevating victory against all odds.Continue reading “Dangal Movie Review: Patriarchal Smackdown”

Ae Dil Hai Mushkil Movie Review : Karan Johar re-invented

Are emotions inherently adolescent? Karan Johar thinks so, as he gets Ranbir Kapoor – who has built his career playing the man-child needing a relationship to grow up – to play his surrogate. He names his character Ayan – of course after his still-growing-up protege Ayan Mukherjee (director of 2 movies starring Ranbir getting life lessons from sorted women) – who is an adolescent navigating a world of adult relationships, finding it impossible to deal with his one-sided love. In the process of making Ayan realise “That’s life buddy!!!”, Karan Johar comes up with a movie which is essentially a distillation of all Imtiaz Ali movies into a tremendously clear minded closure to unrequited love and everything that comes along with it.Continue reading “Ae Dil Hai Mushkil Movie Review : Karan Johar re-invented”

Musings Over The Diwali Releases: ADHM v/s Shivaay

This is not a review of either of the Hindi Diwali releases that hit the theatres over the weekend. Neither is this post devoid of spoilers, so read ahead only if you are okay with those two warnings.Continue reading “Musings Over The Diwali Releases: ADHM v/s Shivaay”

Ae Dil Hai Mushkil: A Quick Review

Here comes a complicated, contemporary, mature, quadrilateral love story from Karan Johar…well not actually. It is a story of Love, Love lost and Lust with sprinklings of friendship. KJo- true to his reputation weaves a web for his NRI audience with a multi- country, multi-emotional, musical that has you riveted to your seat for the most part atleast. And thankfully there are no uncles, aunts, bhangra songs or sunflower fields!!!Continue reading “Ae Dil Hai Mushkil: A Quick Review”

Ae Dil Hai Mushkil Movie Review: Except for the Last 30 Minutes, the Film is a Total Hoot

aedilhaimushkil-ranbir-aishwarya-anushkaAll of us are becoming increasingly impatient. Before you even read this review, you perhaps want to know whether you should watch Ae Dil Hai Mushkil or not; and if the film is worth all the hype and expectations. I usually reserve this verdict for the later part of the review but considering this is the season of Diwali generosity and more importantly some things need to be stated first up, I will answer that coveted question by putting forth a single argument or plea. if you want to call it that.Continue reading “Ae Dil Hai Mushkil Movie Review: Except for the Last 30 Minutes, the Film is a Total Hoot”

Dishoom: The Battle of the Beefcakes

This year a popular brand is introducing some new categories in their film awards and I thought I might help them with the finalists.

Best lead Actor in a static role: John Abraham for Dishoom- He manages to keep the same expression throughout the movie, a feat which not even accomplished actors like Naseer have been able to do. For this, he has even managed to get a lifetime award nomination competing strongly with Sunil Shetty. Moreover, his abs have started acting better though a similar feat was attempted by his bare bottom earlier. The director had to give him a cigarette throughout the movie to ensure that he didn’t give any unwanted expressions either.Continue reading “Dishoom: The Battle of the Beefcakes”

Dishoom Movie Review: Typical ‘Entertainer’ that Respects Your Time for a Change

Rohit Dhawan is an interesting name for a Hindi film director. The man obviously gets his surname from his iconic father, David, but it is his first name which lends an aura of interest to this entire name business. Rohit Dhawan seems to be inspired by ‘100 crore’ man Rohit Shetty and his stylized action sequences, and when you mix it with the inherent David Dhawan brand of humor and a bit of more inspiration from Hollywood buddy movies, you have the brand new Dhawan on the block.Continue reading “Dishoom Movie Review: Typical ‘Entertainer’ that Respects Your Time for a Change”