Let’s be honest here, as a desi audience that’s grown up on Bollywood Masala, we are definitely no strangers to the musical. But in Jagga Jasoos, director Anurag Basu tries to push the envelope by presenting most of the movie in tune and verse, an attempt to bring Broadway to Bollywood, something we probably last saw in Shirish Kunder’s equally befuddling debut effort, Jaan-E-Mann. But with an experienced hand such as Basu at the realm, some stunning cinematography by Ravi Varman, as promised in the promos, a promising soundtrack by Pritam, and an extremely good-looking starcast, does this audacious experiment work?Continue reading “Jagga Jasoos Movie Review: Arrested Development”
Fitoor roughly translates to ‘obsession’ in English. And, it’s a pity that a film called Fitoor suffers from bouts of directorial indifference throughout its runtime. Director Abhishek Kapoor, who had very good last two outings in form of Kai Po Che and Rock On!!, puts up pretty looking caricatures and canvasses in Fitoor but forgets to infuse soul into them. So, amidst the snow-laden, paradise-like Kashmir and Katrina Kaif’s gorgeousness and red hair, there’s something which is clearly amiss. Throughout. Right from the opening credits till the lights are turned back on in the theater.Continue reading “Fitoor Movie Review: Of Katrina’s Red Hair and Dickensian Red Herring”
Ask me no questions and you will be told no lies. If you still want to know how this adaptation of Dickens’ Great Expectations is, well, you asked for it.
Fitoor spares nothing, and no one, as it annihilates anything and everything that was beautiful and sacred in the source novel and the milieu this adaptation is set in. For the most part, this massacre is orchestrated by a disastrously miscast Katrina Kaif while some part of the blame should deservedly reach the doors of Aditya Roy Kapoor and Tabu (yes, the lady can misfire too).Continue reading “Fitoor Movie Review: No Love Here, Just Impossible Inanity”
I have lived in Bombay for more than 25 years of my life. I have witnessed more than dozen terrorist attacks on my hometown, with two of the attacks, the 93 Bombay Blasts and 26/11 attacks being the worst terrorist attacks ever seen in mankind’s history in my opinion. Unfortunately, there have not been many films on these attacks, or on the after effects of the attack. I still remember 26/11 vividly, the reason being I was supposed to go to Cafe Leopold on the same day but I was not keen to travel to South Bombay. Not a day goes by thinking, what if I was there on that day at that place. For those who grew up in Bombay, it was like seeing a part of our identity being destroyed.Continue reading “Phantom (2015) Movie Review: Bollywood’s Poetic Justice”
When I first heard of Hollywood hit Knight and Day (2010) being officially adapted in Hindi as “Bang Bang” I just sighed in semi disbelief. In my opinion Knight and Day was a rather ordinary Hollywood entertainer, which only worked due to the lovely lead pair comprising of Tom Cruise and Cameron Diaz. Well to be honest their Indian counterparts, Hrithik Roshan and Katrina Kaif seemed to be perfect choices to carry on the same roles in Hindi, but I was wondering why a studio like Fox Star had to not just look at shelling out money to buy the remake rights, but also want to invest mega bucks in a film which has no novelty as such. Adding to the gloomy scenario was the fact that the film was to be directed by Siddharth Anand, someone who has had moderate success making romantic films (Salaam Namaste, Tara Rum Pum, Bachna Ae Haseeno, Anjaana Anjaani). Considering this was to be an action film I was wondering why the studio would entrust the film to a director who’s never dabbled with the genre earlier.Continue reading “Bang Bang Movie Review: Bang for the Buck? Not Quite!”
Women & Children first was the cry. People are to distance themselves from something that is a mix between Dhoom 1&2, Fast and the Furious, Prestige, Jumanji (Uday Chopra was the chimpanzee), the Road Runner and the Bugs and Daffy Show. Welcome to THE land where truth is stranger than fiction.
Despite my ranting, my ravings, my warnings and all that is good and holy in this world, my fears came true. I ended up seeing Uday Chopra in a larger than life avatar and sadly no amount of Katrina’s legs can make up for this.
For those still contemplating (and the few of you who read my reviews regularly) I always give a brief about the story and here it is:Chase Scene…Dance…Chase Scene…Katrina Kaif….Dance…Chase Scene….Katrina Kaif…Dance….(Intermission)….Dance…Katrina Kaif…Dance…Dance again….random talk…Aamir Khan kills himself. The End.
I guess you could figure out that wasn’t accurate. I wish I could say the same. Continue reading “Dhoom 3 Movie Review: Kuch Bhi!!”
The best shot of Dhoom 3 remains the way Aamir’s character as an adult is introduced. He wakes up perturbed from a night-mare and the camera only focuses on his bare-essentials. This is the most unheroic, uncharacteristic, but really exhilarating introduction of an arch-villain in a full-blown, frivolous ‘franchise’ of a movie. This introduction soars one’s expectations – especially of one who is an admirer of the way an artiste like Aamir places emphasis on the entire movie-making process rather than the parts of the whole sum. And then a reel later, one sees the introduction of the cop-duo, with a wonderful intro of Ali first and then Jai in a rick-shaw! What a wonderful proceeding, one thinks – Aamir all subdued running down the walls of a bank in Chicago and Abhishek’s Jai all ‘desi’ in a rickshaw in a slum-colony! This is going to be one great, multiple time-pass viewing, one thinks! Little did one realize that Aamir’s Saahir running down the bank’s building would turn out to be the one and only grand metaphorical shot in the film – of the film only going downhill!Continue reading “Dhoom 3 Movie Review: An Inconvenient Marriage”
Language : Hindi | Running Time : 172 minutes | Director : Vijay Krishna Acharya
There’s a tightrope between two buildings and we have Aamir Khan‘s bike riding on a thin rope. The bike could fall either way, if logic existed but in a bid to defeat Rohit Shetty at his own game and to stoop lower than Torque or Fast and Furious ever would, the bike stays up and we have an action sequence executed. Instead of building a sense of excitement and have adrenaline wash us over, we are trying hard not to laugh too loud so that some 5 year old who hasn’t watched movies is not disturbed and also at the same time trying hard to clear ourselves of the disbelief that it is Aamir Khan performing this sequence. Dhoom 3 offers us many more such moments. The makers and the director,Vijay Krishna Acharya, seem to have taken the circus and Jackie Shroff‘s puppy dog eyes to heart and decided to walk the tightrope with this film and they walk it for the first 5 minutes, after which it falls flat, flatter than the wooden expressions of Uday Chopra.
Continue reading “Dhoom 3: Dud With No Fizzle and No Bang”