Laxmii (2020 Disney Hotstar Original): The Bomb That Fizzles Out

Laxmii is a remake of the Tamil Kanchana/Muni universe. The Hindi version comes after 10 Years of the original where much has been changed. In fact, the Tamizh mainstream movie also has changed the format of narration, we do not get now a separate comedy track in Tamil cinema which was a staple back then. I must admit I have watched all the original films and it is a guilty pleasure.Continue reading “Laxmii (2020 Disney Hotstar Original): The Bomb That Fizzles Out”

Soorarai Pottru (2020 Amazon Original): From Mani’s Ratnam’s Guru to Sudha’s Mara

There has been a slew of biopics in Hindi cinema in the last few years, but most of them have been hagiographies. Biopics as a trend has not picked up in the southern cinema. Even when Bollywood has chosen a South Indian for a biopic, they have transported the protagonist to North India like Padman. Soorarai Pottru takes inspiration from the life of Captain Gopinath and his quest to start the no-frills airplane in India.Continue reading “Soorarai Pottru (2020 Amazon Original): From Mani’s Ratnam’s Guru to Sudha’s Mara”

Mookuthi Amman (2020 -Disney Hotstar) The Goddess And Religion

Amman Padam (Mythology film) was a rage in the 90s in Tamil cinema which had a sample template of a believer suffering and her problems being solved by her favourite deity. The template died a slow death thanks to the rise of cable tv and the primary audience shifted from theatres to home.

Continue reading “Mookuthi Amman (2020 -Disney Hotstar) The Goddess And Religion”

If Bejoy Sir asks you to jump off a cliff, you jump and make it look sexy ‘: Says Actor Armaan Khera

Actor and Singer Armaan Khera whose latest outing, Taish is receiving rave reviews is on a career high. The actor not only has meaty role in ensemble cast film but also sung a track and written lyrics for it.Continue reading “If Bejoy Sir asks you to jump off a cliff, you jump and make it look sexy ‘: Says Actor Armaan Khera”

The film industry comes in support of a LGBTQ themed music video Sha La La

On International Coming Out Day which was on 11th October 2020, award- winning- singer-songwriter, Shayan Italia released his new music video called Sha La La featuring 21 artists which also boasts of 65 musicians from across the globe. The music video is touted as a profound ballad with a deeply pertinent message of ‘Love Without Boundaries’. The song which is bold and showcases celebratory statements of passion and queer confidence has been applauded and loved by the Industry and many came in support of Shayan’s passion project. Many B-towners- trade analysts, directors and actors took to their social media platforms to wish congratulate Shayan and share the music video.Continue reading “The film industry comes in support of a LGBTQ themed music video Sha La La”

I Write for Myself and the Situations Around Me….: In Conversation with Singer-Song Writer Shayan Italia

British song writer and singer of Indian origina, Shayan Italia has been getting noticed for his interesting work of late. Here’s an excerpt from a conversation with the talented artist.Continue reading “I Write for Myself and the Situations Around Me….: In Conversation with Singer-Song Writer Shayan Italia”

Raahul Jatin comes up with his third single- Yaadein Aane Lagi

Raahul Jatin, the multifaceted musical talent has come up with his third single Yaadein Aane Lagi, a ballad sung and composed by him while the lyrics are penned by his father, legendary music director, Jatin Pandit. The melodious romantic number features Raahul and the music production is done by Aditya Dev and Raahul.

US-based actress and model Madison Trunnell features in the song as Raahul’s love interest. The couple is seen romancing in the lush green countryside, a vintage scenic house& beautiful locales in California. The music video was entirely shot in the US with a very limited crew size and following all protocols and guidelines pertaining to the ongoing Covid-19 pandemic.

Speaking about the song, Raahul said, “It is a romantic number which I feel would appeal to the youth. Has a very cool vibe. I actually intended to compose another upbeat number but with the general state of affairs, I believe there is melancholy in the air. The world has slowed down and there is uncertainty. I started with high octane notes, but I ditched it altogether because it just did not feel right and I ended up composing a ballad. I got my parents to hear a scratch version of it, my father was very gracious to work on the lyrics and we promptly recorded it. We recorded it in Mumbai during the lockdown. Then when I came to US during the later half of the pandemic, my producer Dr. Sandhu heard the song, and we decided to shoot it.

Talking about the shoot Raahul said, “This is my first video shot outside India. I was a bit apprehensive initially, especially with the ongoing pandemic. However, it all worked out smoothly. We worked with a limited crew and wrapped up the shoot in a record time frame, given the number of locations we covered. We did not even include hairstylist and make-up artist in the crew to keep the head count as minimum as possible. We were all tested prior to the shoot. It was a fun shoot, we were all in-sync and energized& therefore it was a very fulfilling experience. I met Madison for the 1st timebut it didn’t feel like that. She is so pretty, congenial& easy to work with despite not understanding Hindi. My Director Harper has done an amazing job. He was operating the camera, lighting and the drone single handedly. He was like a One Man Army. Shooting this single was a memorable experience that I will always cherish and remember. 

The 3.30-minute-long romantic number was shot across San Francisco, Jamestown, Copperopolis, Bay Area and Sonora all flat in one day with a limited crew size of four people including the actors. It will be released by Funk Box in Association with Jatin Pandit.

Speaking about the lyrics, ace music director Jatin Pandit said, “The idea of music has really changed with Raahul’s generation, so I was very surprised when I heard the tune in its raw form. In a strange way it took me back to Pehla Nasha so I offered to help with the lyrics. The concept, melody and even the idea of a slow soft tune is all Raahul’s. I was tempted to meddle with the music a bit, but I refrained because an original composition is always the best”.

Raahul made his musical debut with “Aankhon Ke Ishaare” released by Zee Music and followed it up with a somber and, soulful prayer song “Prabhu Hum Ko Kshama Kar” alongside his father at the outset of Covid-19 pandemic in India.

You can listen to the song here 

25 Years of Dilwale Dulhania Le Jayenge (DDLJ): What Makes the Film So Special Even Today

There are films of all kinds that we are exposed to, very few of them go on to become commercially successful and maintain their iconic status despite the passage of time. Dilwale Dulhania Le Jayenge or DDLJ as it is more popularly known as, is one of the rare films to have that distinction. There has been enough and more that has been written about the film, with people praising the film for various aspects, while even attracting some criticism for its cheesiness, overtly sentimental nature and emphasis on a more old school romantic style and family values. So, let me not try and analyze the film per se, as that would simply not make sense, nor will it add any new insight into the film otherwise. So, what does this write-up intend to do? Simple, it is about why the film deserves all the love and appreciation that has been coming its way, and how I have evolved with the film over the course of these 25 years.Continue reading “25 Years of Dilwale Dulhania Le Jayenge (DDLJ): What Makes the Film So Special Even Today”

DDLJ: Cutting across 3 decades. My Personal Ode & Journey with the Film

20th October 1995 was the first time DDLJ released in cinemas. I was 7 when I first watched the film at G7 Cinemas, Bandra with my parents. Little did I know that I would end up getting lost in the magical world that I was experiencing on screen. Tears rolled down my cheeks when I saw Amrish Puri slap SRK right before the climax sequence and I held my mother’s arms as each slap echoed in the pin drop silence inside the cinema packed with thousand people. I felt ecstatic when Kajol ran towards the stretched arm of SRK extending from the door of a running train in the end. I was mesmerized by the story that I narrated the entire film to my friends in school. When the songs came on the television, I would stop everything and listen attentively. Couple of months later, we revisited the theatre to watch DDLJ again. It was the same scenario as the first – a packed house with the same emotions. As a kid, I knew this film would stay with me forever. Continue reading “DDLJ: Cutting across 3 decades. My Personal Ode & Journey with the Film”