The Godfather as a movie has been inspiring filmmakers across the globe even today. In India there have been many variations of Godfather which have been made right from Feroz Khan’s stylish Dharmatma, to Mani Ratnam’s gritty Nayagan, to Ram Gopal Varma’s Sarkar.Continue reading “Bheeshma Parvam (2022) Malayalam Movie Review: When The Mahabharata Meets Godfather”
Kannada industry is known for remaking films from other languages. In terms of creativity it is not on par with the Malayalam film industry in terms of output. Similarly it does not have the scale of Tamil or Telugu cinema to execute large scale entertainers. But then things are improving to an extent in the last few years. KGF Chapter 1 when released was a surprise hit outside Karnataka as well. This first film went head on head with Bollywood’s ZERO which featured SRK. The audience lapped up KGF Chapter 1 and rejected the same old romantic Bollywood films.Continue reading “KGF Chapter 2 (2022) Movie Review: A Tale of Men & Mines”
Commercial cinema in India is a tricky issue, especially so in Tamil and Telugu where directors need to tread a path wherein they need to balance their storytelling and pander to fans. While Vijay has been consistently among the most popular stars in Tamil cinema, with a solid mass fan following, Nelson on the other hand is a director who is known for dark comedy, a genre which has not been explored much in Tamil cinema. I was looking forward for this combination, expecting something exciting to emerge out of it.Continue reading “BEAST (2022) Tamil Movie Review: Guns, Swag and Vijay in a Nelson world”
RRR has been in the news since the time it was announced and rightly so as it is not everyday you see two superstars of Telugu industry coming together. Facing numerous delays due to the pandemic the film has finally hit the theatres today.Continue reading “RRR (2022) Telugu Movie Review: Andhra Extrrravaganza”
I remember watching Fandry in a packed theatre and the audience laughing at the character and his mishaps, but then came the gut-wrenching climax and the audience went numb because it exposed them. I cannot remember such a stunning silence after a movie, here I thought was a director who has failed but then he has done a much bigger job as he had shown us the mirror.
Kavalthurai Ungal Nanban (KUN) has been making some noise since it was released and it is presented by one of India’s best directors, Vetrimaaran I was waiting for the film to stream on OTT. The film is now streaming on Zee5.
Nayattu is a tale of the hunters being hunted. We have 3 cops, a by-election and hit-and-run case, and the death of a Dalit, this makes for an interesting concoction for Martin Prakkat’s new film.
Covid-19 has given a break to theatre-going experience across the globe. Even though Indian cinema halls have opened up slowly from October 2020 onwards, there has been no tentpole release which has revived the fortunes of cinema halls so far. December saw the release of Telugu film Solo Brathuke So Better which indicated that the audience in Southern India is willing to watch movies in the theatre. With this being the Pongal/Sankranti week in India, we have two films in Tamizh and three in Telugu (plus Master’s dubbed version) hitting marquee in a span of less than a week. If we go by the initial response, it is sure that cinemas are here to stay and co-exist with OTT. Continue reading “Master (2021) Movie Review: Vijay Shines, Lokesh Flatters to Deceive”
There has been a slew of biopics in Hindi cinema in the last few years, but most of them have been hagiographies. Biopics as a trend has not picked up in the southern cinema. Even when Bollywood has chosen a South Indian for a biopic, they have transported the protagonist to North India like Padman. Soorarai Pottru takes inspiration from the life of Captain Gopinath and his quest to start the no-frills airplane in India.Continue reading “Soorarai Pottru (2020 Amazon Original): From Mani’s Ratnam’s Guru to Sudha’s Mara”