This year a popular brand is introducing some new categories in their film awards and I thought I might help them with the finalists.
Best lead Actor in a static role: John Abraham for Dishoom- He manages to keep the same expression throughout the movie, a feat which not even accomplished actors like Naseer have been able to do. For this, he has even managed to get a lifetime award nomination competing strongly with Sunil Shetty. Moreover, his abs have started acting better though a similar feat was attempted by his bare bottom earlier. The director had to give him a cigarette throughout the movie to ensure that he didn’t give any unwanted expressions either.Continue reading “Dishoom: The Battle of the Beefcakes”
Rohit Dhawan is an interesting name for a Hindi film director. The man obviously gets his surname from his iconic father, David, but it is his first name which lends an aura of interest to this entire name business. Rohit Dhawan seems to be inspired by ‘100 crore’ man Rohit Shetty and his stylized action sequences, and when you mix it with the inherent David Dhawan brand of humor and a bit of more inspiration from Hollywood buddy movies, you have the brand new Dhawan on the block.Continue reading “Dishoom Movie Review: Typical ‘Entertainer’ that Respects Your Time for a Change”
Directed by: Abhishek Chaubey; Written by: Sudip Sharma
Starring: Shahid Kapoor, Alia Bhatt, Kareena Kapoor, Diljit Dosanjh
Udta Punjab would go down as one of the most talked about movies from Bollywood even before it was actually screened, our own desi version of Passion of the Christ, if you will. So instead of delving on the entire saga from CBFC’s preposterous treatment of the film for so-called “profanities and mature content” (I didn’t know Udta Punjab was a pioneering film in this regard, but let’s stay politically correct, shall we) to the controversial leak at the time of release, let’s instead review the film itself for a change.Continue reading “Udta Punjab Movie Review: A Film That Flew for the Stars but got the Moon”
There is nothing quite as entertaining as a good controversy. And if this controversy involves Bollywood and the Government, you can be sure of the news channels having their fill of this TRP fodder until the movie finally releases (Or if it does, in most cases). Abhishek Chaubey, who made most viewers sit up and take notice with a crackling debut in Ishqiya, and followed it up with Dedh Ishqiya, a sequel that outshone the original, moves away from the badlands of Uttar Pradesh into the lush green fields of Punjab, and shows us the underbelly of the drug mafia that seems to have eaten away at the Punjabi youth and in the process, drives away in the opposite direction of the Yash Chopra school of filmmaking. But, is Udta Punjab a piece of mediocre cinema trying to stay in the limelight through a never-ending stream of controversies, or is it truly that subversive piece of mainstream cinema that has the censor board frothing at the mouth?Continue reading “Udta Punjab Movie Review: Flight Of the Phoenix”
So, who was scared/wary of Udta Punjab and its supposedly ‘damaging content’?
When I saw the film today, midst all the surround sound and fury, this question kept coming to my mind every now and then – like how ‘hurt’ keeps coming back to haunt fragile Indian sentiments. Because an hour into the film and you realize that it has nothing, absolutely nothing that can damage the reputation of Punjab or the dwellers of that state. More importantly, the film never ever glorifies substance abuse, it rather showcases horrors of addiction in such a naked, brutal manner that even an average cigarette smoker (cigarette that contains only tobacco and nothing else) would also be shaken.Continue reading “Udta Punjab Movie Review: The High of Coming Out of a Theater Feeling Low”
There’s a thin line between being in love and being obsessed – earnestly confessing your feelings for someone and coercing someone to reciprocate to your feelings. Writers, filmmakers and other artists have been universally enamoured by the psyche of the “stalker” – the innocuous or fiendish guy or girl who pursues the person he or she is in love with. A love that borders on obsessive compulsive disorder.
Let us not confuse the stalker with the villain – the stalker doesn’t tease, pass malicious comments or try to molest / abuse / rape his beloved. On the contrary, the stalker goes all out just to convince the profundity of his or her love. In most cases, these characters are showered with sympathy – a feeling that would never arise in a real life scenario. Perhaps, just to neutralise the same, the stalkers are also meted out a tragic destiny, to highlight the dismal eventuality of such obsession or for creative justification.
The portrayal of the obsessed lover has varied, not necessarily commensurate with the change in the social milieu, but definitely in a way that could play to the gallery. In this post, I look at six films, which have glorified the stalker – the silent lover whose mania gradually overpowers the love, transgressing into the other’s person life, and eventually bringing both of them down. However, I have ignored any film (read the “Sleeping with the Enemy” remakes and the likes) in which the victim and her tormentor have a shared past.Continue reading “The Avatars of the Stalker”
Dekh Tamasha Dekh is theater guru Feroz Abbas Khan‘s second feature after his National Award winning film Gandhi My Father. Produced by Sunil Lulla and Feroz Abbas Khan, under the banner of Eros Internatonal and Bombay Local pictures, it is slated for release on 18th April Dekh Tamasha Dekh is a political and social satire based on a true story. It revolves around the search for the religious identity of a poor man crushed under the weight of a politician’s hoarding.Continue reading “Dekh Tamasha Dekh: Trailer”