Gully Boy’s aim at authenticity is commendable. The locations, the texture, the music all build up an authentic world of the origin of Gully rap. But the protagonist, the Gully Boy himself is fake and hollow. Not false in the way many of the gully rappers are, wearing their hoodies and flat-rimmed caps just imitating the hip-hop pioneers, but in a way how clean-cut he is without any spunk, neither has a single negative nor a rebellious streak in him. Zoya Akhtar and co. have created a character out of their imagination of how an ideal rapper is, or rather ‘ought’ to be as per their standards.
There’s a moment, bang in the middle of Jab Harry Met Sejal, when one of the titular characters remarks snidely “This is silly, we need to get out of here”, and you end up thinking to yourself, what if the same had been said by Aditya to Geet (Jab We Met) or Tara to Ved (Tamasha), the seeming voices of reason asking a dreamer to change course, to not fly too close to the sun, to stop sprinting and take a breath. When the promos of JHMS first showed up, it seemed like yet another Imtiaz Ali tale of two strangers in a strange land, but when the two strangers happen to be Shahrukh Khan and Anushka Sharma, can the magic of Jab We Met, the soulfulness of Highway and the pathos of Tamasha be captured again on celluloid?Continue reading “Jab Harry Met Sejal Movie Review: Tab Head Met Wall!”
Imtiaz Ali’s film Tamasha is, at best, an attempt at a grand spectacle, and at worst, an eloquent exploration of the title’s other meaning, that is, commotion.The movie starts with the back story of a child fascinated with storytelling, beautifully shot by the talented Ravi Verman of Barfi fame, and coherently strung together by editor Aarti Bajaj. The movie is narrated not so subtly, by a theatre show of a futuristic robot and a joker.In a desperately clichéd attempt to portray the story as contrary to reality, young Ved is seen escaping his cruel father, collecting stolen pennies in a secret box, and using them to pay to listen to an old man’s (Piyush Mishra) fantastical tales. The old man keeps reiterating that all stories are essentially the same with characters that keep changing. The child, much like the protagonist in Pan’sLabyrinth, finds stories in unlikely places, and imagines characters materializing from the dark corners of his house. Unable to discern reality from fantasy, his young mind is enraptured by the possibilities of a fictional world, which contrast starkly to his life under his father watchful eye.Up until this point, Tamasha has merit enough to be a very good children’s film.Continue reading “Tamasha (2015) Movie Review: The Art of Bad Storytelling”
Jab We Met, Break Ke Baad, Ek Main Aur Ek Tu and Tamasha – what do these have in common? They have a stuck-up, somewhat depressed beta-male who is liberated from the monotony of life by a freewheeling sorted-in-life chic. They unlock the guy’s true potential. Out of these movies, 2 have Kareena Kapoor, 2 have Deepika Padukone and 2 are made by the same guy, Imtiaz Ali. It says a lot about all of them. Kareena and Deepika are the true female superstars of the multiplex era. Just like Madhuri and Sridevi (Beta, Chalbaaz) from the 90’s, they fulfill the male writer-director’s fantasy of women with reins (“If I’m going to submit myself to someone, it has to be one of these”). Imtiaz Ali’s lead male characters are highly conflicted (nothing profound, just confused) and eventually turn to the women for life-affirming comforts. With Tamasha, he continues with his adolescent pre-occupations of finding the one-true-special-one, but this time he exhibits a very strong narrative control for almost three quarters of the movie, where he shifts through places, timelines and perspectives much more organically than his other more ambitious films like Love Aaj Kal and Rockstar.Continue reading “Tamasha Movie Review: Performance of Life”
If you flip through filmography of accomplished directors, you will find at least one film that goes on to become a symbol of their pedigree. ‘That one film’ may not necessarily be the directors’ most accomplished work or a roaring commercial success, yet it beams with the faith, idea and conviction of its creator.Continue reading “Tamasha Movie Review: Imtiaz Ali’s Mera Naam Joker Moment”
There comes a time in life when you introspect, reflect about what you have been doing all these years. Is it the real you? Being enslaved in mundane stuff for eons, can a spark bring back that true self in a quest to recognize your identity. Significantly, have you even identified that deep within, you are not living a life that you once aspired for. Sometimes an incident, a moment or maybe even a failure can shake your core self; leading to a descent, only to realize your own self-worth. A worth which is required to accentuate your importance in your own eyes.Continue reading “Tamasha Movie Review: A Mainstream Commercial Film with a Lot of Heart and Mind”
I had stopped reviewing films some time ago, but I still can’t help when I watch a film that connects me to myself the way I feel while I am listening to ‘Piya Haji Ali’ or ‘Maula Mere Maula’. So this piece is dedicated to all the Sufi saints that I follow, knowingly or unknowingly. I am a hopeless romantic at heart and everybody in Ramgarh & thereabouts know that fact very well. I connect most to stories that are about love and that too in its purest form. Continue reading “Highway Movie Review: A Road Trip to the Lovers’ Paradise & Beyond!”