This year a popular brand is introducing some new categories in their film awards and I thought I might help them with the finalists.
Best lead Actor in a static role: John Abraham for Dishoom- He manages to keep the same expression throughout the movie, a feat which not even accomplished actors like Naseer have been able to do. For this, he has even managed to get a lifetime award nomination competing strongly with Sunil Shetty. Moreover, his abs have started acting better though a similar feat was attempted by his bare bottom earlier. The director had to give him a cigarette throughout the movie to ensure that he didn’t give any unwanted expressions either.Continue reading “Dishoom: The Battle of the Beefcakes”
Rohit Dhawan is an interesting name for a Hindi film director. The man obviously gets his surname from his iconic father, David, but it is his first name which lends an aura of interest to this entire name business. Rohit Dhawan seems to be inspired by ‘100 crore’ man Rohit Shetty and his stylized action sequences, and when you mix it with the inherent David Dhawan brand of humor and a bit of more inspiration from Hollywood buddy movies, you have the brand new Dhawan on the block.Continue reading “Dishoom Movie Review: Typical ‘Entertainer’ that Respects Your Time for a Change”
In the midst of all the offbeat plots covered by Bollywood in 2016, like Kapoor and Sons, Ki and Ka, Neerja, Udta Punjab etc, there are times when one ends up craving for some old school masala, although lately, it’s only the Khans who’ve managed to keep the genre alive, especially with Salman Khan’s Sultan ending up as a monster hit. So when the trailers of Dishoom showed up, they promised old school masala with a mix of maar dhaad action and some David Dhawan styled humor, but does Dishoom deliver on this promise?Continue reading “Dishoom Movie Review: Sucker Punch”
Remakes are the order of the day in Indian Film Industry today. If you cant remake a recent South Indian film in Hindi, then why not make the film that started that trend in 1983? Guess that was the reasoning enough for Sajid Khan to dole out the crummiest film in many ages that leaves you with the most disgusting aftertaste, induces a brain-curdling effect making you wish you were in coma and assaults your existence to leave you scarred and scared for all your life. From the release of its trailer itself, I knew Himmatwala would be a stunning exercise of atrocious cinema. Every snarky tawdry promo and song was making millions of lives miserable all day everyday and the doomed day finally arrived, Himmatwala, a remake of K Raghavendra Rao‘s 1983 original hit the screens today.Continue reading “Himmatwala Movie Review: A huge dump on your intelligence!”
If you have been following Sajid Khan’s early shows on television, you’ll remember him more as a film buff than as a filmmaker. He adores campy cinema and loves it when actors ham. All of us have guilty pleasures so that’s perfectly all right. But to convert them to a feature length film is stretching it. A few days ago, I revisited the Jeetendra version and thought I have seen the nadir. But Sajid Khan has just invented a world below this muck.Continue reading “Himmatwala: The Viewer That Is”
K.Raghavendra Rao the veteran prolific Telugu filmmaker is also popular for remaking many of his films in Hindi. One such Telugu blockbuster of his which found a Hindi remake was Ooriki Monagadu (1981) which had Krishna and Jayapradha in the lead. The Hindi version which released in 1983 was Himmatwala with Jeetendra and Sridevi in the lead. Continue reading “Himmatwala: Trailer”