The Marathi movie Naal movie released a few days ago (16th November) and we managed to catch up with the Music Director of the film Advait Nemlekar . Sharing his experience on the film, he said, “Naal released yesterday, and the feedback is very good, people are giving amazing reviews. I am very humbled. The film is a beautiful piece of work, mostly because of an emotional story and performances, and I am lucky to be a part of this movie. Its an honor to have worked for the Marathi film industry, because this film has marked my debut as a Music Director in this space. I feel humbled and privileged that I got an opportunity of working with such a talented team, because they are probably the most humble and down to earth people I have worked with and it felt like working with a family.“Continue reading ““I am humbled by the feedback the music is receiving for Naal”: Advait Nemlekar”
Cast: Chris Pratt,Bryce Dallas Howard, Rafe Spall, James Cromwell, Toby Jones, Jeff Goldblum, BD Wong and Isabelle Sermon
Directed by J A Bayona
The park is gone! Now it is time to take your toys and play indoors!
That is exactly what the makers of Jurassic World seems to have done this time around., I kid you not!
With the park long abandoned, the writers have come up with the ridiculous idea to take the mighty prehistoric creatures and put them in a claustrophobic setting of a mansion to generate the thrills. Just an indication of how low the franchise has fallen with the latest installment, JURASSIC WORLD: Fallen Kingdom.
Evidently gone is the magic that one had with the original Jurassic Park movie twenty-five years ago, when Steven Spielberg gave us a big screen experience like no other. But now in this age of visual technology and CGI advancements, watching these beasts is certainly not all that bewildering as it once used to be. And so, the studio has now started treating this more on the lines of a horror series, plugging in the scares while the Universal studios laugh their way to the bank.
Not that it does not work. They successfully employed the trick with the reboot JURASSIC WORLD three years ago by creating a killing machine like the Indominus Rex and letting it loose in the theme park. Eventually the movie did prove everyone wrong and went on to be a massive global success that has now led us to this sequel. But unfortunately, this time the studio seems to have no idea where to take this franchise and instead it pops out a summer event movie that is nothing but a mere money-grab exercise.
Fallen Kingdom is watchable. But what worries is the obvious dearth of anything innovative or fresh. They do hint at a new ‘Planet of the Apes’ like direction right at the end buried under the mumbo-jumbo of the dangers of ‘Playing God’ voiced by good ol’ Jeff Goldblum, but the entire movie preceding is clearly not on the same page.
Movie is set three years after the events of Jurassic World and we find the famed Isla Nublar is facing a serious disaster threat with the active volcano on the island threatening to turn the entire island and its inhabitants to ashes. And outside, the world is debating whether the lab generated dinosaurs deserves to live. Despite the fights and protests of certain groups and activists, the authorities decide not to do anything about it.
At this juncture, former park manager and now dino activist, Claire (Howard) is called in by Benjamin Lockwood to his estate. Lockwood was John Hammond’s ex partner and is now interested in giving these creatures a new home. The operations are headed by Eli Mills who has formed a rescue team of mercenaries to assist Claire to get a select set of these dinosaurs. They are also very particular of getting Blue, the last living Velociraptor and Claire knows that is only possible with the aid of Owen Grady, the Velociraptor researcher who literally raised Blue.
It does not take much to convince Owen and before you know it the team is back on the island, however stupid they idea may seem.
Once on the island, and with Blue tracked down, the tables turn and Claire and Owen realize that it was a trap all along and the team was only capturing these dinosaurs to take it back to the Lockwood estate where Mills have already arranged to sell them at a black market auction.
Claire and Owen somehow do manage to escape from the island before it meets its ultimate doom. But now they must stop Mills from carrying out their plan, especially a new biological creation, the Indo-Raptor, a much more ferocious killing machine designed with the mix of the Velociraptor and the Indominus Rex, with ‘Blue’ being the key to breed a whole new gen of these violent beings.
Much of the first half goes in the silly excuse of getting our lead cast onto the island and then have them escape from it. They must fight through mercenaries, dinosaurs, molten lava and extremely lazy writing to literally stay afloat. Things only kick into gear with the appearance of the new baddie on the block, the IndoRaptor offering some genuine thrills as we watch the imprudent advanced species scamper for cover.
The real tragedy of Jurassic World: Fallen Kingdom is how the CGI creatures have more personality and character than the live ones. The star of the piece is Blue the velociraptor who yet again comes to save the day and the franchise. The T-Rex still makes the obligatory appearance and makes a kill or two while the the highly intelligent IndoRaptor is a serious enough threat. Even the most affecting moment in the film is the long shot featuring a Brachiosaurus that is about to meet its end on the island.
But when it comes to the live actors, there is nothing worth highlighting. Bryce Howard’s character does get that upgrade from the ‘damsel-in-heels’. But while Bryce have lost the controversial footwear from the earlier one, Pratt too seem to have lost all the charm and goofiness he had last time around. And two movies down, and still we see zero chemistry between the pair. At least nowhere close to what Pratt shares with his velociraptor. The new characters (Daniella Pineda, Justice Smith) also really do not bring anything memorable to the mix.
Director J.A. Bayona draws from his previous works like The Impossible and A Monster Calls. Unfortunately, while the entire first half is preposterously staged, he really comes to his own only in the second half when he gets to display his love for an atmospheric horror flick. However, one wishes the Spanish director brought more of it much earlier to the screenplay.
Visually the beasts have never looked better, but it is the writing or lack of it that is the downer. There is a need for the franchise to evolve, but that for now is certainly not happening.
Jurassic World: Fallen Kingdom plays out just as one feared. All business and no heart. But it is no rocket science, the franchise will still live on…. irrespective of how lifeless these individual movies may prove to be!
There is always a hint of the unexpected in an Edgar Wright project. The man has a talent for making even the most mundane happenings seem dramatic, and a tendency to find the most oddball tales and present them on screen in a manner that has the audience gaping away, open-mouthed and wide-eyed. Post the Ant-Man debacle, and coming off 2 underwhelming projects, Wright went back to the drawing board and decided to present a passion project, a story he’d nursed for almost 20 years, a genre blending tale of a heist, and one of the key players in it. So the question is, can Baby Driver manage to strike that right balance between visual flair and an outlandish tale?Continue reading “Baby Driver Movie Review (2017): Top Gear”
[life is what happens to us when we are busy planning other things – said John Lennon. And that precisely what happened to us when the series on Guns & Guitars journey got derailed – or rather took a long halt on the way… But better late than never. We restart the journey here with a visit to the state of Assam…]Continue reading “The Things Which We Fail to Express in our Words…”
Bidyut Kotoky‘s Guns and Guitars-A Musical Travelogue,a documentary on the music scene (against the backdrop of violence) in North-East India is now finally ready and about to start it’s festival round. The film has just been officially selected as part of this year’s Newark International Film Festival (http://www.newarkiff.com/).
For more about the film, you can read Bidyut’s posts on MAM here.
Here’s the first look promo of the film-
“Every Naga can use a gun and everyone can also use a guitar” – says Dr. Nicky Kire, elected representative and the advisor to the Musical Task force, Nagaland. He was talking to us during our sojourn in beautiful Nagaland during the making of Guns and Guitars. Paradoxical although he may have sound, he was speaking the truth. After all we were in the land which has witnessed one of the oldest unsolved insurgency problems in the world. And it is also the only state of the country to have a wing of a ministry dedicated to music – viz., music task force.Continue reading “….And I started looking inward for the answer”
Mr. Murphy simply loves us. And constantly demands our attention. Whenever there is a deadline looming, he makes sure that we don’t ignore him one way or the other. This time also there was no exception –just as we were rushing against time to finish our film ‘Guns and Guitars’, Murphy’s Law made its presence felt loud and clear… and our editing computer crashed!Continue reading “The Story of Twin 'Births'…”
[It is not unusual to find a director’s wife becoming a part of a film unit, mostly to kill time. But in our case, we are working together for close to 16 years. And we are married for the last 8 years. Whether it is to edit my documentaries or to do art direction/ costumes in my productions, time and again I use her. Both for the belief that she understands closest to what I have in mind and the fact that I can give vent to the frustration without thinking twice when things does not go according to my plan…Here she shares her experience of ‘Guns & Guitars’ ]Continue reading “Tribute to Late Bhupen Hazarika-Siangore ga'hlong, lohitore khamti…”
Those who’ve read my earlier post would know that I was all excited to interview Rohit Sharma.To do this interview, we needed to borrow a camera from one of our friends. (More than anything else, struggling filmi keedas have to be smart jugadoo folks). This is how most of our conversations went:Continue reading “In Conversation with Rohit Sharma: I wonder why people call me ‘Rohit sir’”