The opening credits of Befikre have different couples kissing in various parts of Paris. That is when you realize that this movie is unconventional. For starters, it is shot in Paris and the story line could have been inspired by a French or a Hollywood rom-com as the couple keep getting in and out of their relationships. This year seems to be a year for contemporary multi-partner romances in Bollywood -after ADHM and Dear Zindagi and now Befikre.Continue reading “Befikre: A Quick Review”
Aditya Chopra could be described as one of Bollywood’s most enigmatic personalities. One has read about him being painfully shy, to the point of being almost reclusive. Therefore, one gets the feeling that he makes up for it, by making the protagonists in his movies, absolutely larger than life. Enough newsprint has been devoted to his debut, tears were shed by teenagers when Mohabbatein came out, and yawns were stifled while watching Rab Ne Bana Di Jodi.Continue reading “Befikre Movie Review: Behadh, Behuda aur Besharam!”
Whenever there is a movie with Salman in the lead, it is no longer just a movie but an experience. The world can be divided in to 2 kinds of audience- Salman Baiters and Salman Fans. Both have their reasons for watching it.
A quiet moment when you just stand transfixed as you see your beloved in front of you, only to see her walk past you as if she did not even acknowledge your presence. Your heart aches and you pine, not just for her but also for all those wonderful moments that you both shared together. And you repeat the act every day, only to see your lady love walk away the same way. What would such a moment remind you of? Would you really expect this from a Salman Khan film? Actually I wouldn’t and not because Salman isn’t good with romance, in fact he has done enough and more romantic films but then there’s always that expectation that he would come up with something animated that catches the lady’s attention at the end. But that doesn’t happen in Ali Abbas Zafar’s latest film, the well anticipated Sultan that’s bhaijaan’s Eid attraction this time around.Continue reading “Sultan Movie Review: Salman Khan and Eid, the Combination Works Once Again”
Ali Abbas Zafar’s ‘Sultan’ has all the trappings of an earth-shattering blockbuster and in all probability it will be one. Not just because it has the box-office demigod Salman Khan, the man who can right now earn 200 crores even by selling peanuts outside a theater, but also because it is a story of redemption, revival and fighting for one’s love – a potion that can be sold like hot cakes to Indian audiences. The fact that Sultan has Bollywood’s original bodybuilder Khan playing a wrestler at a tender age of 50 only adds to the aura and intrigue of the film. But alas, all that augurs well does not necessarily end well. And a lion’s share of that blame should lie at the feet of the director.Continue reading “Sultan Movie Review: This Calls for Giant Leaps of Faith and Your Unflinching Love for Salman”
Ace Photographer turned producer Mr Atul Kasbekar is on a high these days as his film Neerja is running successful pan India.He was recently given a surprise by his reel life passengers from film Neerja who kept a special screening of the film and gifted him a photo frame with a beautiful poem written by Madhu Chandhock. The screening was arranged by her son Kashyap Chandhock on behalf of all the fellow passengers.
Farah Khan’s latest venture, Happy New Year, is out in theaters this weekend. And even if you are a plonked outcast lying in some run down part of any city in India, or a swanky tycoon flying around the world for business, you would have come across the obnoxiously omnipresent promotional wave of HNY. Much thanks to Farah’s unapologetic muse and the producer of the film, Shah Rukh Khan, and his army of men who have made sure that HNY becomes a household name, even before its release. The first promo did not create the waves SRK or Farah may have expected it to and neither did the subsequent songs, clumsily painting a lopsided picture of HNY. However, this did not stop their team to serenade all our senses with overdoses of publicity for HNY, so much so that it cooked a pretty smashing buzz for the film, whether good or bad, right before its release. Post Tees Maar Khan, has Farah been able to resurrect herself?Continue reading “Happy New Year Movie Review: Nonsense Done Right”
This movie was fun. Guys, wait. Before you start throwing oranges, and bananas, and eggs at me, let me brief it up. I did not like its occasionally serious use of clichés. I did not like its sappy melodrama, and I did not, for the life of me, liked a good part of the song and dance sequences. Parts of them were quite a spectacle, sure, but mostly songs and dances in a movie requiring dance sequences were bland and, unnecessary, at most, and hindering, at-least.Continue reading “Happy New Year Movie Review: Steal-Deal”
That all eyes have been focusing on Farah Khan’s Happy New Year is no exaggeration by any standard. After all be it her back to back successes with Main Hoon Na and Om Shanti Om, both with Shah Rukh Khan, her first failure in the form of Tees Maar Khan, her subsequent fall out and later patch up with SRK, Farah and her movies have always been in the news. Needless to say it was but natural that people would be curious to know if Happy New Year could bring Farah Khan back to form and if her combination with SRK would turn out to be successful once again. And going by all the buzz right from the release of the first look posters, to the teaser, songs and the trailer, there was no doubt that Happy New Year (or HNY from hereon) would be closely scrutinized as the team geared up for a grand Diwali release.Continue reading “Happy New Year Movie Review: Get Ready for the Party Folks”