2015 was an interesting year for Tamil Cinema with a variety of topics being explored. Some big films didn’t do well, while some small films made impact. Certain stars did well,while some of them didn’t really do well. Here are the films in my opinion which stood a little apart from the rest of the pack and made an impact this year.The movies aren’t sorted in any order of merit. Sorting is done based on release dates.Continue reading “The Best of Tamil Cinema in 2015”
Manoranjan, the hot, money-spinning star of Tamil cinema with a humongous fan-base, is at the peak of his self-centered professional career, his latest commercial outing opening to blockbuster collections and thunderous applause among fanatics, when he gets hit with a diagnosis of Stage 4 Glioblastoma multiforme, a type of malignant and notoriously fatal brain tumor with an average life expectancy of 9 to 12 months.
Your mind is tuned to a beginning, middle and end. You are used to certain number of peaks (drama) in the screenplay. You think a good story must have twists and turns. You are unsure about how to react to just narrating a story about a life as life is. And you hate a film because of your prejudice. And the film slowly grows on you. Over time, you start saying that the movie was a classic. This has happened earlier with Iruvar, Hey Ram, Anbe Sivam. It is likely to happen with Uttama Villain. Uttama Villain (English: Virtuous Villain) is a 2015 Tamil comedy-drama film directed by Ramesh Aravind and written by Kamal Haasan. presented by N. Lingusamy in association with Kamal Haasan and produced by S. Chandrahasan for Raaj Kamal Films International and N. Subash Chandrabose for Thirrupathi Brothers.
Continue reading “Uttama Villain (2015) Movie Review : Mortal Fear”
‘Uttama Villain(UV)’ as a film has been wrapped in a bit of intrigue for sometime now. The initial assumption was that it would be a typical Kamal A-class comedy quickie. But as more and more promotional material is being revealed, it is looking like a much more involving and intriguing enterprise. Also Ulaganayagan’s decision to sign Ghibran for a 3 film deal has left all film buffs puzzled. Granted Ghibran is immensely talented and along with Santhosh Narayanan is one of the few bright hopes for the future of tamil film music. But still, a maniacally perfection obsessed Kamal with immediate access to the IRs, ARRs and SELs of the world signing a young composer upfront for 3 projects tells something. I was personally licking my lips, as Ghibran was coming on the back of a very good Thirumanam Enum Nikaah(TEN) and a great Amara Kaaviyam(AK). I was eager to see how Kamal’s amazing script sense, music sense and knowledge of the language marry Ghibran’s new age instrumentation, novel approach to melody and heavy layering work.