The Best of Tamil Cinema in 2015

2015 was an interesting year for Tamil Cinema with a variety of topics being explored. Some big films didn’t do well, while some small films made impact. Certain stars did well,while some of them didn’t really do well. Here are the films in my opinion which stood a little apart from the rest of the pack and made an impact this year.The movies aren’t sorted in any order of merit. Sorting is done based on release dates.Continue reading “The Best of Tamil Cinema in 2015”

Thoongaa Vanam (2015) Move Review: A Ticking Clock Which Doesn’t Start

Divakar (Kamal Haasan) is in the VIP lounge of a night club where a producer(Santhana Bharathi) points to the TV showing the news and laments that his completed film hasn’t been released due to him owing money to people and dejected fans have been sent back home. Kamal Haasan references the state of his film Uttama Villain on the day of its release. In another scene, his son picks up the football instead of taking up a cricket bat. In a city this has become quite a common occurrence these days, what with Messi and Ronaldo as well known in a household as Sachin or Dravid once were (please pardon me if I am being blasphemous). Once again, a troubled father-son relationship which we saw in Uttama Villain. There is,of course, more referencing. The lip locks Kamal is involved in with Madhu Shalini and the last line the son utters reference Kamal’s romantic hero image. I remember a function where Radhika Sarathkumar mentioned Kamal and the lip locks from his movies. Like in Uttama Villain and the movies which have becomes star vehicles, the self referencing is part of the script but unlike the star vehicles, these are organic inclusions, especially the lip locks. Smooth.Continue reading “Thoongaa Vanam (2015) Move Review: A Ticking Clock Which Doesn’t Start”