Despite major rumblings in the Malayalam cinema industry in the form of Dileep’s actress assault case and incidents of online trolling of women actresses highlighting the rampant misogyny in our artistic space, I’d like to believe that it emerged stronger with more and more people debating the patriarchal nature of our cinema. It was, therefore, appropriate that 2017 closed with Aashiq Abu’s ‘Mayaanadhi’ – a film that spoke for a lot of women by giving its heroine agency. However, be cautioned – for every Mahesh Narayanan, Ranjith Shankar and Aashiq Abu creating strong independent woman characters, you also came across the likes of Nithin Renji Panicker (Kasaba) and Omar Lulu (Chunkzz) whose disgustingly trashy films belied the idea that the new generation has a different world view, when it comes to women.Continue reading “Top 30 Malayalam Film Songs of 2017: A Compilation”
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