Haraamkhor Movie Review: Or, Aargh! Move Hindi Indie, Move!

Spoilers ahead!

I watched Haraamkhor when it released. I am writing this now because I’ve gotten obsessed. I’ve not gotten obsessed with the movie itself, but I am obsessed with how desperately the movie tries to be a masterpiece, and ends up being just an okay movie. Haraamkhor starts with two teenage boys in a small Indian town. These two kids are at the brink of losing innocence and are about to take the plunge towards a life of misdeeds and crime. We see their energies inappropriately channeled, and no checks for crossing boundaries. These kids study at a school where studies don’t matter, and people in general have no idea of discovery. This happens a lot in a small towns in our country where parents of such children have had a life of no self-discovery, unending labor, and meagre ambitions. They stop their kids from taking extra food rather than stopping them from stealing.Continue reading “Haraamkhor Movie Review: Or, Aargh! Move Hindi Indie, Move!”

Haraamkhor: Trailer

haraamkhor-poster-2Haraamkhor’ is a forthcoming Hindi film directed by Shlok Sharma.The film stars Nawazuddin Siddiqui and Shweta Tripathi. The film which has been long ready and been noticed in the festival circuit is now finally being released by Indian Film Studios on 13th January, 2017. Produced by Guneet Monga, Feroze Alameer, Anurag Kashyap and Achin Jain, Jasleen Royal is the music composer of the film while Siddarth Diwan is the DOP and Kratika Adhikari is the editor. The film was shot in 16 days only.In April 2015, a FIR was registered against director Shlok Sharma on a complaint by Balbharati, Maharashtra’s textbook bureau, objecting to striking similarities between its logo and promotion scenes from Haraamkhor. Haraamkhor was premiered in 15th annual New York Indian Film Festival (NYIFF) and Indian Film Festival of Los Angeles (IFFLA). Nawazuddin Siddiqui received the Best Actor award for the film at the New York Indian Film Festival.Continue reading “Haraamkhor: Trailer”

YFR launches Man’s World, for Gender Equality at 6th Jagran Film Festival: The biggest multi-starrer series on the internet

Y Films, the youth division of Yash Raj Films, India’s leading movie studio in association with India’s largest travelling film festival, the 6th Jagran Film Festival, in a unique initiative, is premiering the biggest multi-starrer series on the internet, Man’s World, on September 29, on YouTube. The trailer of the four-part series launches today on YouTube.com/YFilms.Continue reading “YFR launches Man’s World, for Gender Equality at 6th Jagran Film Festival: The biggest multi-starrer series on the internet”

Ghosts of Ganga and the Dazzling Display of Death in Masaan

When I try to paint a picture of the Ganga in my mind, I mostly imagine a pristine river with the rising Sun at the horizon. That’s how we all have been conditioned to imagine the holy river. Ganga stands for purity, tranquility and piousness; a river that may have been abundantly polluted over the centuries but, as per the millions’ belief and reverence, still holds the magical power to purify the polluted. Neeraj Ghaywan’s Masaan paints such a contrasting picture of the holy river and its mythical home –Varanasi that it shakes your conscience and unravels the ghosts that lie quietly somewhere deep inside the river bed.Continue reading “Ghosts of Ganga and the Dazzling Display of Death in Masaan”

In Conversation with Neeraj Ghaywan: On the Making of ‘Masaan’ and More

Neeraj Ghaywan, an engineer and an MBA, moved on from his corporate career in 2010 to pursue filmmaking. He has assisted renowned filmmaker Anurag Kashyap on the two-part film, Gangs of Wasseypur and was the second unit director for Ugly. He has also made two short films The Epiphany and Shor, the winner of the Grand Jury Awards at three international film festivals in New York, LA and London. However, at this point of time, he is best known for the man who gave us “Masaan” – the film that won FIPRESCI prize (International Jury of Film Critics prize for the Un Certain Regard section) and the Promising Future prize in the Un Certain Regard section at Cannes, 2015.

Here’s the excerpt of the conversation I shared with him on Masaan and more…(Spoiler Alert-note the conversation includes some heavy spoilers,so ideally it is advisable to read this if you have already seen the film)Continue reading “In Conversation with Neeraj Ghaywan: On the Making of ‘Masaan’ and More”

Masaan: Poetic Closures

As human beings, I find it impossible for us to not seek closure. In every aspect of our life, there is a desire to connect all the dots and conclude. Without conclusions, we hang free, unable to move forward or finish a part of our life, a relationship or even a simple task. The greatest of closures is death which guarantees flight from every open problem. Masaan or crematorium is the home for the ultimate closure. Neeraj Ghaywan’s debut feature, deals with life in a small town – Benares; through two tales. It is about love, heartbreak, morality, casteism, small town modernity and also about closure.Continue reading “Masaan: Poetic Closures”

Masaan Movie Review: From the Heartland with a lot of Heart

If you are a movie buff then it’s highly unlikely that you’ve not heard of Neeraj Ghaywan and his debut film Masaan which has released today, after all the film has been in the news right from the very beginning. Be it for winning the 2014 Sundance Institute/Mahindra Global Filmmaking Award or much later for making it as an official entry to Cannes this year under the Un Certain Regard section where it even won a couple of awards, Masaan or (Fly Away Solo as it was called earlier) has been making the right kind of moves everywhere, not everything by design of course. It isn’t often that a filmmaker manages to make his debut with all these aspects. Added to it is the fact that the film has an impressive cast and crew and is supported by producers who make things matter. So eventually it won’t be surprising when you hear people interested in knowing if Masaan deserved all this and if Neeraj Ghaywan has made a convincing debut, after all its to do with human nature.Continue reading “Masaan Movie Review: From the Heartland with a lot of Heart”

In Conversation with Shweta Tripathi: On Acting in Masaan and More

Shweta Tripathi is an Indian actor best known for playing the role of Zenia Khan in the Disney Channel Original Series Kya Mast Hai Life. She also acted in an ad of Tata Sky download and McDonald’s and most recently Tata Tea and Kinley. Her first feature film ‘Haraamkhor’ opposite Nawazuddin Siddqui has been selected for at the Opening Gala at IFFLA. She plays one of the protagonists, Shaalu Gupta, in Masaan.

Following is the excerpt of the interview between Shweta and the MadAboutMoviez team, when they caught up to discuss Masaan, her life and career plans.Continue reading “In Conversation with Shweta Tripathi: On Acting in Masaan and More”

In Conversation with Vicky Kaushal: From Engineering to Films, Gangs of Wasseypur to Masaan and Zubaan and More

As a shy kid, Vicky studied to become an engineer. Coming from an illustrious family had little effect on him until he discovered theatre.

Sethumadhavan, Shrinivas and Souvik from MadAboutMoviez recently had the opportunity to get into a conversation with Vikcy Kaushal, where-in he went on to talk about his initiation into the industry, his father and of course, Masaan, the film that has won many hearts already. Read on…..Continue reading “In Conversation with Vicky Kaushal: From Engineering to Films, Gangs of Wasseypur to Masaan and Zubaan and More”