The game of Cops and Robbers has been a rich narrative source in Cinema, and it lends itself generously to most genres, be it drama, thriller, action or comedy. When the same is combined with the folksy tale of Vikram-Betaal (Vedhalam in Tamil) that we’ve grown up hearing, it is quite evident that the audience is in for a tale of a cop and a gangster, far removed from the sensibilities of a Gautham Menon or a Mysskin. After the rather enjoyable if a tad lightweight Oram Po and Va Quarter Cutting, director Pushkar-Gayathri return from a 7 year hiatus with Vikram Vedha, and it is up to the audience to decide, was it worth the wait?Continue reading “Vikram Vedha Movie Review: Oru Mellisaana Kodu”
It’s true what they say about how Mani Ratnam narrates a tale of love. The man has a way of going above and beyond the standard cinematic portrayals of romantic bonds, and ends up presenting it in a manner that any average cinegoer would identify with it. Post a minor lean spell, he bounced back with the absolutely refreshing OK Kanmani, a tale of two young souls in a metropolis attempting to push the boundaries of conventional relationships. However, with Kaatru Veliyidai, a movie whose title is borrowed from a Bharathiar poem, it seems like he is attempting to explore a relationship between two souls, defined only by its intensity. Will this be yet another classic from Madras Talkies?Continue reading “Kaatru Veliyidai Movie Review: Enna Kodumai Idhu, O Kannamma!”
Urvi is a forthcoming Kannada crime drama film directed by B. S. Pradeep Varma and produced by Ravi Prakash Bhat. The film features Shruthi Hariharan, Shraddha Srinath, Shweta Pandit, Bhavani Prakash playing the leads while Jhanvi, Madhukar, and Achyuth Kumar play key supporting roles.The soundtrack and score for the film is composed by the Grammy Award winner Manoj George while the DOP is Anand Sundaresh and Surya Teja is the editor.Continue reading “Urvi: Trailer”
Suspense movies need a very acute sense of film-making acumen. Not only does it need a good story and direction, but also a sustained effort in keeping the audience engaged continuously, changing the plot and ‘whodunnit’ angle and finally revealing the plot at the right time.
Pawan Kumar managed this almost to near perfection in his debut film ‘Lucia’ that also made for a strong case study in crowd-funding and crowd-distributing a movie. Sadly, his next Kannada language films falls short of expectations in many counts. Though, to his credit he starts of very well and navigates the twists and turns effectively in the first half.
Over the past 3-4 years, it seems that a small section of the Kannada Film Industry, inhabited by indie filmmakers is making a serious attempt to shake off the cobwebs that have been gathering for nearly 2 decades. While the audience is assailed with cinematic atrocities in the name of masala in the form of regurgitated formulaic potboilers, and remakes of hits from other Southern industries, we do occasionally come across rare gems, some polished, some not fully, and it reminds us that there may still be hope for Sandalwood if more movies like last year’s smash hit, Rangitaranga, Ulidavaru Kandante, Simple Aagi Ondh Love Story, and this director’s very own Lucia are made more often. But the real question here is, does Pawan Kumar’s sophomore effort live up to expectations?Continue reading “U Turn Movie Review: Mystery Junction”