The Uri Attack of 2016 was the straw that broke the back in India-Pakistan relations, leading to a diplomatic war between the two countries, and when news of a surgical strike behind enemy lines broke out, a few days later, there was much rejoicing among the public. Therefore, it was only natural, that the incident would find its way to the big screen, but is debutant director Aditya Dhar up to the task of narrating this exciting tale of guts and glory?
Major Vihaan Shergill (Vicky Kaushal) is a dedicated young military commando who after a successful mission in Myanmar, decides to resign from the army to take care of his Alzheimer’s stricken mother (Swaroop Sampat), but at the insistence of the Prime Minister (Rajit Kapur) and the National Security Advisor (Paresh Rawal), takes up desk job at the Army HQ in New Delhi.
But when the Uri attack occurs, and ends up hitting a little too close to home, will Vihaan heed the call of his conscience, and take the fight back to the enemy? With the support of a hawkish establishment, a steely glanced intelligence agent (Yami Gautam) and a grieving pilot (Kirti Kulhari), can Major Shergill win back India its lost honor, by striking fear, deep in the heart of the enemy?Continue reading “Uri Movie Review: A Lobotomy of the Senses”
There’s always that moment of awe, when one is confronted with the eruption of a voice that’s been dormant for long. They live among us, they move, they breathe, they dream, and they go unnoticed. And when they finally speak up, those of us who are listening, willingly or unwillingly, end up dumbstruck more often than not. Suresh Triveni’s debut effort sounded like an interesting concept when the trailers came out, but the question is, does it have something to say, or is it just dead air?Continue reading “Tumhari Sulu Movie Review: Hello, From the Other Side!”
At the outset, Kapoor and Sons is a simple story of a dysfunctional family aptly headed by the evergreen loverboy of the Bollywood- Kapoor clan: Rishi Kapoor. He plays Daddu, a retired armyman with an obsession for Mandakini from RTGM and gradually graduates to online porn. Though he plays a soon to be nonagenarian, he still retains his ‘Bobby’ charm and acts with effortless ease inspite of donning a makeup that must have required him atleast a couple of hours to apply.Continue reading “Kapoor and Sons (Since 1921): A Quick Review”
What if I tell you that Bollywood has been mostly lying to you all these years? Don’t kill me. But, then I guess we all know about it – at least subconsciously, at the back of our heads. The Hindi film world’s portrayal of quintessential ‘Indian family’ and its ‘values’ has been so typical and utopian that it makes you cringe in your seat a little. I mean there is nothing wrong in portraying a ‘happy family’ with set spaces for parents, grannies, children and a puppy may be, but Bollywood should take the blame for serving us more of the same, so much of so that you may start believing that nothing, absolutely nothing can ever go wrong with your parivaar! Really?Continue reading “Kapoor and Sons (Since 1921) Movie Review: All Very Real and Heartfelt, Sans the Needless Drama”
One must admit this about Shakun Batra, he is one of the few directors in Bollywood, alongside Sriram Raghavan, Shimit Amin and Bejoy Nambiar, who can capture even the most mundane of surroundings and give it a refreshing twist. His debut feature, Ek Main Aur Ek Tu combined the craft of Wes Anderson, and the feel of Woody Allen, and while the influence of 2 Days in Paris was quite evident, it was a refreshing take on the rom com genre, and also contained one of Kareena Kapoor’s finest performances. Therefore, in his sophomoric effort, when he takes on the dysfunctional family trope centred around the aged patriarch’s 90th birthday, the family reunion, and the ensuing chaos, combined with an ensemble cast, one cannot help but be intrigued at how it shall all come to pass.Continue reading “Kapoor and Sons (Since 1921) Movie Review : A Wistful Narration”