Is Bollywood finally waking up to Sci-fi?

The phenomenal showing in India of Avengers Endgame, which has had massive collections has sent alarm bells ringing in Bollywood. Why don’t we see sci fi content in our Bollywood films, why is there a dearth of original Indian content, why aren’t we exploring the vast repertoire of rich content and story lines that we already have?
Here’s what a few directors had to say about the same:

Madhur Bandarkar said, “Right at the outset I would like to state that is it unfair to compare Indian cinema with Hollywood. Look at the scope of business for them? They have the world market. In India itself they are dubbing in atleast three languages. Whereas for us it is still a limited market even if we distribute overseas. We will be catering to diaspora audience. It’s not that we don’t have the technical knowhow or great stories to tell. If you look at Bahubali it’s at par with any Hollywood film. Things are picking up however in India a gradual pace. Digital has picked up, Ott platforms are opening up so Sci Fi as a genre will grow in India, I’m very hopeful.”

Shashanka Ghosh said, “I feel there are many ideas but mostly in the overlap between fantasy and sci fi. For pure sci fi-  traditionally and now we still prefer emotionally charged storytelling while sci fi requires a logical/ intellectual involvement which is slowly coming about. In the super real fantasy zone we have no dearth – god films have abounded, and the latest being Bahubali.”Protiqe Mojoomdar said, “Right from the times of Satyajit Ray’s Prof. Shanku to Chacha Chaudhary, Nagraj and Tinkle.. and of course Isaac Asimov and Ray Bradbury.. Indians have grown up with both Indian and international sci fi stories and exciting superheroes. Avengers and Stranger Things are a recent phenomenon of course, which have opened the lid in terms of cashing in majorly on the film/content business. And that’s because studios like Marvel and Netflix are some of the smartest content creators in the world – their fingers have been on the viewer’s pulse all along. We are very very excited about this genre at Handyyman, and are attempting this in a small way through our forthcoming web series ‘Hawa Badle Hassu’ which is an environmental thriller with sci-fi elements. While it is a simple story of an Autorickshaw driver who is desperately concerned about the deteriorating Environment around him, it packs in inspirations from the sci-fi genre to help turn the pages in this friendly neighborhood autowallah’s life! And it’s an all Indian crew and VFX is happening out of Goa.

Vivek Agnihotri said, ” I think Sci Fi in Hollywood is a cultivated genre. They have comics and pre established stories which already command a huge fan base. They are smart to convert that huge repository into cinema. We have great stories too but there is a gap somewhere. We are not turning to our roots- not exploring the depth of content that is already there. I think the issue is slightly deeper. As Indians we must instill a sense of pride in India. We should look at the positive narratives only then can we come up with such level of cinema”

Rajiv Chilaka, Creator of Chhota Bheem said, “Avengers Endgame has been a culmination of a decade of movies. Krish series was an honest attempt to create and add to the pantheon of Indian superheroes. The fact remains that Krish was the introduction of a new superhero. Some characters instantly connect to the audience and some create their impact over time. Even an Avengers Endgame took a decade to become the juggernaut that it is today. I believe this genre commands a much closer and longer approach.”

Continue reading “Is Bollywood finally waking up to Sci-fi?”

In Conversation With Anand Surapur On The Fakir Of Venice And The Transition From Ad Films To Feature Films

Anand Surapur is no stranger to the world of showbiz. He began his journey by making ad films under the banner of Phat Phish Productions and directed ad films for brands such as Dominos Pizza (which featured Paresh Rawal), Thumbs Up (which featured the popular Telugu star Chiranjeevi) and the ad for Bajaj’s range of two wheelers (Pulsar, Spirit) which used a revamped version of the iconic Hamara Bajaj jingle and was aired during the early 2000’s.Continue reading “In Conversation With Anand Surapur On The Fakir Of Venice And The Transition From Ad Films To Feature Films”

Khoobsurat Movie Review: A Sweet Surprise

Every time you develop a pre-conceived notion, some higher power quietly smirks to mock you. Many a times it has been proclaimed loud and clear, do not judge a book by its cover, and yet the human nature is such that we do inevitably conjure up a feeling by just looking at things and not experiencing them. Now that the life gyaan is over, I must admit that despite many years of writing film reviews, I can’t help forming an opinion of the film before even seeing it, like most of us. However, I try my best to not force the opinion on anyone before I get to see the film, neither do I fish around for the buzz or response to the film before buying the ticket. On first chance, I walk up to the window and purchase the ticket, ready to see my predilection turn true or false. The beauty lies in being surprised with a crash of your earlier notion. Khoobsurat is one such film.Continue reading “Khoobsurat Movie Review: A Sweet Surprise”