Serious Men releases at a time, when the Uttar Pradesh state machinery has gone all out and try to cover up the Hathras tragedy that has been in the headlines of late. It is also interesting that it comes at a time when filmmakers like Pa. Ranjith and Nagaraj Manjule are giving voice to the Dalits of India.
There is a certain synchronicity to the elements, that can’t be described with words, but can only be experienced, and the same can be said about Bejoy Nambiar’s works. Right from Shaitan, David or Wazir, it is quite evident that he is a rare breed of filmmaker who enjoys experimenting with content, visuals and storytelling tropes. Solo can be termed as a homecoming of sorts, considering that it is the first time he’s narrating a tale in his own tongue, Malayalam. However, the real question is, does Solo finally find balance between form and content, the balance that has been sorely missing in his previous efforts?Continue reading “Solo Movie Review: Visceral, Vicious, Visual, Vibrant”