Shalini Panday shines in the short film Dwand

Actress Shalini Panday known for her impactful performance in Gujarati film Rachna No Dabbo is basking in glory for the feedback received for her recently released project- Dwand. Dwand is a short film released on Pocket films- a family drama where Shalini plays the role of a lower-middle-class girl who is bold and has always dreamt big and was made to believe that she is beautiful, intelligent, and different and that she deserves a worthy husband. When her marriage happens contrary to her expectations, she begins to contemplate her decisions and takes certain steps which eventually affect the entire family.Continue reading “Shalini Panday shines in the short film Dwand”

40 Years of Sholay: The Film That Redefines Class, Totally

Note-Here’s wishing everyone a very Happy Independence Day. 40 Years ago this day, the iconic Sholay had released. Here’s a personal tribute of sorts to the film,as I reflect back in time over Sholay.

For someone who wasn’t even born when Sholay actually released in India (15th August, 1975), I am proud to say that I’ve seen the film thrice in theatres. Sholay was a film which I kept hearing of when I was growing up, both my parents being ardent fans of the film. Unfortunately by the time I remember frequenting theatres the film had completed its original theatrical run in Chennai or Madras as it was referred to then, the city I belonged to those days. Unfortunately there wasn’t any way to watch the film those days unless there was a re-release in your city (which happened once every few years) as it was yet to be shown on TV and there was no home video (VHS) available of the film back then in the 80’s and early 90’s. Of course things slowly changed in the mid 90’s as the film became a lot more accessible to people, creating a whole new set of fans in the processContinue reading “40 Years of Sholay: The Film That Redefines Class, Totally”

Silsila- the unequal harmony

 

India is a country where people have worshipped everything that they detest in their real lives. The “Khap Panchayat” kills anyone who doesn’t marry according to the norms of his / her society. A duo that elopes to get married is considered outcast.
But when the lord of their myths kidnaps a woman from her wedding and marries her or manages to get his sister to abscond with his best friend, he is considered as the warrior of love and stories are woven around his valiant act of eloping. When a boy on the street whistles at a girl, he is called an eve-teaser; but when a lord picks at the belle of his village, he is considered ‘Saawariya’! “Krishna” is possibly one of the most worshipped gods in India. But if we look at his story closely, we would see that his life was anything monogamous; neither did he seem to profess a stringent belief on the same.Continue reading “Silsila- the unequal harmony”

Trishul! A High Voltage Drama Par None!

Trishul! 3 years after the record breaking classic that Deewar was, Yash Chopra set out to make another high voltage drama about a son’s vendetta against an errant father. While Deewar was set in the big bad streets of Mumbai, Trishul shifted the location to the plush and sophisticated environment of upper class Delhi.
Like every follow up to a massive hit, this one was grander in scale, bigger in ambition and never really matched the reach of its predecessor. Nobody in their right mind would refer to Trishul as an underrated movie, but, out of Yash Chopra’s biggest hits, this one has hardly been written about by the critics and almost never analyzed. Of course, the following article is not a critical analysis of the movie, but more of a tribute to one of the best dramas ever captured on screen in Indian Cinema. A drama so good it’s been remade in Tamil, Telugu and Malayalam, revisited as Vijay by Yash Chopra himself, and if rumours are true, it will be remade as Aurangzeb with Prithviraj and Arjun Kapoor.Continue reading “Trishul! A High Voltage Drama Par None!”

A Tribute To Sanjeev Kumar

More than two decades have passed since Sanjeev Kumar died, but his performances still remain fresh in my mind. He was undoubtedly one of the best actors Indian cinema has seen. But sadly, today he is mostly remembered mainly by way of the innumerable spoofs on his character of Thakur Baldev Singh from Sholay.Continue reading “A Tribute To Sanjeev Kumar”