Tamasha (2015) Movie Review: The Art of Bad Storytelling

Imtiaz Ali’s film Tamasha is, at best, an attempt at a grand spectacle, and at worst, an eloquent exploration of the title’s other meaning, that is, commotion.The movie starts with the back story of a child fascinated with storytelling, beautifully shot by the talented Ravi Verman of Barfi fame, and coherently strung together by editor Aarti Bajaj. The movie is narrated not so subtly, by a theatre show of a futuristic robot and a joker.In a desperately clichéd attempt to portray the story as contrary to reality, young Ved is seen escaping his cruel father, collecting stolen pennies in a secret box, and using them to pay to listen to an old man’s (Piyush Mishra) fantastical tales. The old man keeps reiterating that all stories are essentially the same with characters that keep changing. The child, much like the protagonist in Pan’sLabyrinth, finds stories in unlikely places, and imagines characters materializing from the dark corners of his house. Unable to discern reality from fantasy, his young mind is enraptured by the possibilities of a fictional world, which contrast starkly to his life under his father watchful eye.Up until this point, Tamasha has merit enough to be a very good children’s film.Continue reading “Tamasha (2015) Movie Review: The Art of Bad Storytelling”