This was going to be a comment on Sethumadhavan’s post on regional cinema. As my comment was getting longer, I thought it would be great to write a post. Here are my views on regional film and why it is failing to reach out.Continue reading “The Myth Of Regional Cinema’s Market Potential and Audience”
Lijo Jose Pellissery’s recent Malayalam film Angamaly Diaries has become an online favourite over the last couple of weeks or so. Thanks to screenings supported and promoted by filmmaker Bejoy Nambiar, people at 1018mb went on to organize a few screenings of the film in Mumbai. And there are already a couple of screenings lined up later this month. One has seen audiences thronging these screenings, this includes members of the film fraternity as well as media circle, and nearly everyone has only good things to talk about the film. It also helped that Lijo Jose Pellissery himself and a few others from the Angamaly Diaries team have been present for these screenings, indulging in a Q & A with the audience later on. This is not the first time that something like this is happening. It has happened in the past with Lijo’s own Malayalam film, Amen (2013). Once again it was thanks to a screening arranged by Bejoy Nambiar that people started talking about the film.Continue reading “Regional Cinema: What Prevents it from Reaching out to a Wider Audience?”
Purple Pebble Pictures announced the appointment of Petrina D’rozario as the Chief Operating Officer (COO). Purple Pebble Pictures is a production house set up by Priyanka Chopra and Dr. Madhu Chopra with an aim to produce good quality content across films within regional and mainstream, television and digital. Continue reading “Petrina D’Rozario appointed as the COO of Purple Pebble Pictures”
Jagan Deshmukh (Dilip Prabhvalkar) a highly respected elderly person, Sadanand Kulkarni (Hrishikesh Joshi) a respected school teacher and Arjun ( Aniket Vishwasrao) a hot tempered youngster are residents of Wadner village located in the district of Maharashtra. These people are living a peaceful life when the son in law to be of Jagan Deshmukh calls off the wedding with Jagan’s daughter. On the other hand Sadanand’s wife wants to file for a divorce and Arjun’s father in law to be (Uday Sabnis) refuses to let his daughter Kalpana (Pooja Sawant) get married to Arjun and thus these three people find their lives turned upside down all of a sudden. It soon turns out that the photos of these three men are accidentally printed on a Government ad promoting vasectomy and this has caused the turmoil in their lives and is responsible for them facing humiliation. Enraged by this, the three men set out to find the people responsible for this act and to set things right before it is too late.Continue reading “Poshter Boyz (2014) Movie Review: A Good Idea Ruined By Poor Execution”
Yet another hectic and eventful year at the movies comes to an end. Every year we see films which we love, hate, abhor, feel indifferent towards. And this year has been no indifferent.
As the year draws to an end, every film buff (including yours truly) loves making a compilation of films under various such categories (good films, bad films etc)
As a movie buff this year too was no different. There were some films, which made for pleasurable viewing while some films induced sheer boredom and made for a rather tedious viewing. Regional cinema (esp. Tamil and Malayalam films) in my opinion once again reiterated that they are churning out films which are different from the regular fares, yet makes for some good viewing while being commercially viable .
Besides there were a lot of foreign language films which made all the right noises amongst movie buffs and the film festival circuits.
So here goes my list of best films in the foreign films and regional cinema section.
Too many films and too little time has been the bane of every film buff. As always there were quite a few films I wanted to watch but could not due to various reasons. So in case you do not find a particular favourite of yours mentioned in this list, kindly excuse me. 🙂
Continue reading “My Best Of Regional and World Cinema In 2013”
Last year around the same time when I was sitting down and penning down my thoughts on the recap of MAM’s 1st year, everything looked so nostalgic. The nostalgia still remains 2 years into the journey, but there’s also the eagerness to move forward and to branch out into frontiers not yet fully explored.Continue reading “MAM is now 2 Years ‘Young’: The Journey Continues”
The Apu Trilogy, made up of the films Pather Panchali, Aparajito and Apur Sansar, instantly placed Satyajit Ray and Indian cinema on the world map in the late 1950s. Between them, the three films won seven awards at the Cannes, Berlin and Venice film festivals. Continue reading “100 Years of Indian Cinema : Does Regional Cinema work better Internationally than Bollywood?”