If you flip through filmography of accomplished directors, you will find at least one film that goes on to become a symbol of their pedigree. ‘That one film’ may not necessarily be the directors’ most accomplished work or a roaring commercial success, yet it beams with the faith, idea and conviction of its creator.Continue reading “Tamasha Movie Review: Imtiaz Ali’s Mera Naam Joker Moment”
There comes a time in life when you introspect, reflect about what you have been doing all these years. Is it the real you? Being enslaved in mundane stuff for eons, can a spark bring back that true self in a quest to recognize your identity. Significantly, have you even identified that deep within, you are not living a life that you once aspired for. Sometimes an incident, a moment or maybe even a failure can shake your core self; leading to a descent, only to realize your own self-worth. A worth which is required to accentuate your importance in your own eyes.Continue reading “Tamasha Movie Review: A Mainstream Commercial Film with a Lot of Heart and Mind”
Note-IndieYogi’s posts are short/quick reviews,catering to the reader on the go. The attempt is to try something new in addition to the regular style of writing/reviewing.
Delightful, completely irrelevant, note about circumstance: I went into this movie completely uninitiated; all I knew that there was a new Anurag Kashyap movie coming out some time around now, and that it had Karan Johar. The plan was concocted over drinks at Irish House in Kala Ghoda, and we went to Regal because it was the closest theatre whose prices didn’t leave the insides of our noses sore; for the longest time I was wondering where I had seen the intersection in the movie before. (If this doesn’t make sense to you, I suggest that you resist the urge to find out and let it hit you while watching the movie.)Continue reading “Bombay Velvet Movie Review: Ellipses and Environment”
There are spoilers. Be warned and be pleased.
Running Time : 149 Minutes | Language : Hindi | Director : Anurag Kashyap
There are “Beefeater” cartons stacked up behind the kitchen of “Bombay Velvet”, a place where Kashyap’s Hollywoodised Bombay’s jazz thrives, a center where the city’s big shots come and go, discuss their money and pass it on to each other. In the wake of the recent beef ban in Mumbai, it is a light chuckle inducing carton placement to show how different Bombay was to Mumbai. There’s little of the “Bombay” we know in Anurag Kashyap’s “Bombay Velvet” and almost none of the velvet that the title promises.Continue reading “Bombay Velvet (2015) Movie Review: All gloss and A Script Which Sleeps With The Fishes.”
“Apan ko jo bhi mangta hai, sab log bolte hai apan ke aukat ke bahar hai. Apan ko apan ka aukat badalne ka hai.”
This was what Anurag Kashyap might have been going through inside his head, before making this multi-starrer blockbuster. And oh well, was it able to gain that aukat?
Set in a period of post-Independence, from 1949 to 1969, the film opens with a wonderful background score by Amit Trivedi and visuals of Old Bombay in a newsreel format against the song Aam Hindustani being sung by Dahlia (Raveena Tandon). Honestly, just that start there gives you a hope. An assurance that this might turn out to be the best film you have seen so far. But, oh wait!Continue reading “Bombay Velvet: Worth To Be A Big-Shot?”
Anurag Kashyap’s Bombay Velvet is his big, brassy and boombox-ed entry into the big budget films league. It is also his dream venture, and is meant to save the day for Ranbir Kapoor, whose goodwill continues to recede after Besharam and Roy. Buttloads of money has been poured in this film by Phantom as well as Fox Star Studios, and believe me, it shows, as grandeur oozes out of each frame. But alas, Bombay Velvet is an aggrandized product, one which has little depth to suck you in beyond its visceral thrills and some good performances. The suspected word is out, and its going to be a nightmare night for the phalanx that came together for this difficult film. Difficult to shoot and produce, not difficult to make a mess of, of course. Continue reading “Bombay Velvet Movie Review : Underwhelming, But Not Terrible”
A lot is being said and written about this weekend’s big release, Roy. If only it did not feature the leader of Bollywood’s ‘actor who can act’ brigade, Ranbir Kapoor, we could have easily written it off as another tank by Arjun Rampal or Jacqueline Fernandez. But then to inject star value into it, T-Series decided to cast Kapoor, and that too in ‘a dynamic role’ meekly imitating the ‘modest’ credit given to him as the film begins. The trailer looked a sure misfire, but the songs worked wonders, much like any other T-Series film. But is that enough? Well, as we see around now, almost every one out there is appealing to debutante writer-director Vikramjit Singh to stand with a boombox and apologize. Sigh, so much thwart for a mere film. Not so advisable to proclaim but in all honesty, I must admit that I fairly liked Roy. Not because it is brilliant or great, only because it is ambitious, and even when it fails, it doesnt make an almighty mess. Continue reading “Roy Movie Review : Ambitious, Faulty and Not For Everyone”
Truth- it may mean something for me, while for you it could be totally something else. It is like one man’s freedom fighter is other man’s terrorist. We all have our bias, prejudices and our truth is based on the prism of our experiences. Ankhon Dekhi is one such film, which explores the travails of a man who has to unlearn and look at his ideology towards end of his life.
Set in old Delhi, Rajat Kapoor manages to create a perfect atmosphere of Delhi. Very rarely do we see Indian filmmaker getting atmosphere of the film right. Bauji (Sanjay Mishra) who belongs to a middle class family in Delhi has his own Eureka moment one day. He decides to trust only things which he has experienced or has seen. This decision affects not him but also his family, neighbours and his colleagues. In the process he also earns a legion of followers who are hooked to each and every word coming out of his mouth.Continue reading “Ankhon Dekhi (2014): DVD Review”