The Best of Bollywood In 2018

Listing the ten best films I have seen emerge from Bollywood last year could be a little deficient as I could not get around to watch a few generally acclaimed films like 3 Storeys and Love Sonia in time. Nevertheless, here’s my list of 10 best films that were made in Bollywood in the year gone by.

Honorable mention goes to Rajkumar Gupta’s Raid for an engaging account of a…raid and Hichki where Rani Mukherjee overcomes a clichéd script to deliver a watchable movie.

                                                                10. Kuch Bheege Alfaz
I am not a big fan of coincidences as a plot point, and the entire premise of KBA rests on coincidence. But if you are willing to look beyond that, this is a nice, gentle romance. Bollywood specializes in this genre, but rarely do you feel the romance yourself. A combination of good writing, direction and acting achieve this rare feat.
(Disclosure: The writer of this movie Abhishek Chatterjee also contributes to this website)

9. Stree
Horror and comedy often go together by in most cases, the end result is a spoof of the horror genre. Rarely do they complement each other. The horror in Stree follows the standard tropes expected in a film like this, but it’s the funny bits in between that make the movie. The film features good performances by everyone, including Shraddha Kapoor. A confident feature debut by director Amar Kaushik.

8. Raazi
The one flaw that I thought Raazi had was that the husband’s character wasn’t developed strongly enough. With a capable counterpart, Alia Bhatt’s spy would have seemed more credible. But this minor quibble apart, Raazi is a good watch with an apt balance of drama and thrills. Surely, Alia Bhatt can do not wrong from this point on in her career.

7. Sui Dhaaga
Having sort of honed his skills paying a small town bumpkin in the Dulhania duology, Varun Dhawan lends a humane touch and some maturity to his character here.  He is ably supported by Anushka Sharma. The story of the triumph of the underdog may have been done many times in the past, yet Sharat Katariya’s take on it makes for an interesting watch. If nothing else, I hope it puts Raghuvir Yadav back in the reckoning as a sought out actor.

6. Karwaan
While watching this movie, I was constantly reminded of Richard Linklater’s Last Flag Flying where three individuals carry a dead body across a road trip. The more showy role here is played with aplomb by Irfan Khan. Dulquer Salman, in his Hindi debut, is the under playing anchor of the ship and Mithila Palkar is the loose cannon who makes the age gap seem obvious. This is a nice feel-good black comedy. 

5. Veere Di Wedding
Four friends at different stages of matrimonial life is a premise for some witty writing. Add to that good performances by the four leading ladies (Swara Bhaskar steals most scenes) under Shashank Ghosh’s able direction and there isn’t a dull moment in this film.

4. Manmarziyan
The story of the woman settling for an arranged marriage despite a passionate affair is a template already covered by the Woh Saat Dins, Hum Dil De Chuke Sanams and Dhadkans of the world. Yet writer Kanika Dhillon and director Anurag Kashyap find ways of adding complications to the story. Not all of it made sense to me but then I don’t suppose it was meant to. Superb acting by Taapsee Pannu, Vicky Kaushal and Abhishek Bachchan; in fact this must be Bachchan’s best role in years. He is more suited to these ‘serious types’ than comedy.  

3. Badhaai Ho 
This is a perfect example of choosing the right actor for the right role. What an ensemble cast this is! A late and unexpected pregnancy puts everyone in the household in an embarrassing situation leading to much mirth. Is this the same Amit Sharma  who directed Tevar a few years ago? You don’t say!

2. Kaalakaandi
I laughed so much with this movie my sides hurt. Three stories run parallel over the span of one fateful night. It’s a no brainer that they will come together at some point. This union is completely forced but by the time it comes, you are beyond the point of caring. Akshat Verma, who wrote the no-holds barred Delhi Belly, makes his directorial debut with even an even more ribald comedy. Sad it barely got noticed at the time of its release.

1. Mukkabaaz
By now it may seem that I am an Anurag Kashyap fan boy. But really, what’s not to like about this story about a boxer who has to rise above caste politics to claim his right to fight. As always, the dialogues in Kashyap’s films are peerless. No one gets these North Indian landscapes right better than him. Vineet Kumar puts in a performance that should make all filmmakers sit up and take notice of his raw talent.

 

Newton Movie Review: A Relevant Tale of our Times

Newton is a strong contender to be India’s entry to Oscars, as it has the best festival run and also it is one of the best reviewed Indian films this year. It premiered in Berlin, where it won an award (The CICAE Art Cinema). The North America premiere was in competition at Tribeca. The other festivals it has traveled to include, Hong Kong (Young Cinema award), Buenos Aires, Edinburgh, Istanbul, Jerusalem, Zurich, etc and counting.Continue reading “Newton Movie Review: A Relevant Tale of our Times”

Hansal Mehta’s Rajkummar Rao Starrer ‘Omerta’ To Have Its World Premiere At TIFF 2017

Hansal Mehta’s next Omerta which features Rajkummar Rao will have its World Premiere at the Toronto International Film Festival (TIFF) 2017 in the Special Presentations category.

Rajkummar Rao essays the titular role of British radical of Pakistani origin, Omar Sheikh known for his involvement in kidnapping and murder of the Wall Street Journal reporter Daniel Pearl in 2002 and his links to various Islamist organizations in Omerta.Continue reading “Hansal Mehta’s Rajkummar Rao Starrer ‘Omerta’ To Have Its World Premiere At TIFF 2017”

Newton Wins Jury Prize For Best Film At The 41st Hong Kong Film Festival

 Produced by Manish Mundra and directed by Amit V Masurkar, Newton has won the Jury Prize for the Best Film at the 41st  Hong Kong Film Festival 2017. The film had its Asia Premiere at the festival where it was screened in the Young Cinema Competition category.

The jury awarded the film “For the intelligent and human presentation of a political situation in a country. The film balances the humour, disillusion and – against all odds – a steadfast belief in the meaning of democracy”

Thrilled with the audience and jury response to his film, Director Amit V Masurkar says, “We are delighted to win the Jury Prize at the 41st Hong Kong International Film Festival! It’s one of the oldest and most prestigious film festivals in Asia and will help us get an audience in that part of the world”. Newton is Amit V Masurkar’s second film after the sleeper hit, Sulemani Keeda in 2014. Continue reading “Newton Wins Jury Prize For Best Film At The 41st Hong Kong Film Festival”

Trapped: Trailer

trapped-posterTrapped is a forthcoming film directed by Vikramaditya Motwane, the maker of Udaan (2010) and Lootera (2013).  Produced by Phantom Films, the film, a survival thriller, stars Rajkummar Rao, whose character is shut in a Mumbai apartment for 25 days. It was shot in less than a month in Mumbai in 2016. Written by Amit Joshi & Hardik Mehta, Trapped has music by Alokananda Dasgupta, while Siddharth Diwan is the DOP and Nitin Baid is the editor.Continue reading “Trapped: Trailer”

The Best of Indian Cinema in 2016: A Perspective

Let me begin by honestly admitting that 2016 was a lukewarm year for Indian Cinema, at least that would be something that I firmly believe in. Be it Bollywood/Hindi cinema or any of the regional language film industries, things were largely subdued for a major part of the year. Be it businesswise or with respect to the quality of output, 2016 definitely seemed to lag behind 2015, forget going anywhere beyond that for a comparison. It’s not that the year was totally beyond redemption, there were some positives as well, but they were not sufficient enough to completely lift up the spirit of Indian cinema overall. Let’s begin by taking a look at Bollywood to start with. 2016 saw only 2 big blockbusters, Sultan and Dangal, none of the other successful films were runaway hits as such. So while Salman Khan and Aamir Khan delivered big time with Sultan and Dangal respectively, SRK came up with Fan which met with a mixed response, while gaining back some traction with one of the better Hindi films of the year, Dear Zindagi.Continue reading “The Best of Indian Cinema in 2016: A Perspective”

Aligarh Movie Review: Manoj Bajpayee’s Poignant Performance Leaves You Thinking for Long

The world out there is a mad sprint. Everyone is running. Running to prove a point, to get the numbers, to make money, to impress, to get to the goals. And in the process, quite a few fail to keep up the pace. Ironically, those who lose out in this sprint are advised to make peace with it – and that’s another mad sprint in itself.Continue reading “Aligarh Movie Review: Manoj Bajpayee’s Poignant Performance Leaves You Thinking for Long”

Hamari Adhuri Kahaani Movie Review: A Good Director Cannot Save A Bad Script

In 1982, Mahesh Bhatt made Arth, with Shabana Azmi, Smita Patil and Kulbhushan Kharbanda. Since then, he has made it again and again atleast a 100 times. If not that, he has taken elements from Arth and twisted them around, rebottled them with new flavor, and made a film again. Arth was an absolute classic. Most of its derivatives are not. But Bhatt will never get out of it seems. And he must plunge us as well as he drowns. Directed by Mohit Suri, Hamari Adhuri Kahaani is concocted with a stellar cast, but it is supposed to be the love story of Mahesh Bhatt’s parents. In reality, it is another take on Arth. Albeit drenched in ham-fisted dialogue by Shagufta Rafique. Continue reading “Hamari Adhuri Kahaani Movie Review: A Good Director Cannot Save A Bad Script”

CityLights Movie Review : A Dark Tale of the Grim Reality That Must Not be Missed

Hansal Mehta’s CityLights is one film I have been gushed about ever since I heard about it. After watching his earlier venture, Shahid, 2 years ago, I was convinced that Mehta has found his sleight in telling tales of the teething realities of our times. Gripped by the first trailer itself, I went in to watch the film first day first show, this morning. It is not a happenstance that he has cast the phenomenal Rajkumar Rao in this one, post their association in Shahid. The duo also won National Awards individually for the earlier film and Rao is undoubtedly India’s current best actor. Contrary to the struggles faced by Shahid to find a theatrical release, the Bhatts (Vishesh Films) took up CityLights early on and have watermarked it with their traditional music style without robbing it off its essence. Yet, CityLights is far less greater than Shahid which goes on to say that it is hard to create magic on screen everytime you decide to make a film.Continue reading “CityLights Movie Review : A Dark Tale of the Grim Reality That Must Not be Missed”