‘NFDC Film Aaj Kal’ – A Marathon of NFDC Classics In Mumbai To Begin From July 15

NFDC India is coming up with its Cinema Outreach Initiative, Film Aaj Kal, a radio show as well as the Ground-Activation event – Film Aaj Kal Screenings and Conversations to build film communities and empower the viewer.

As part of the 360-degree initiative, NFDC collaborates with 92.7 Big FM for a weekly radio show named, ‘Film Aaj Kal’ on Cinema Education and Awareness program which has the filmmakers discussing about the classics, bringing these films back to the fore.Continue reading “‘NFDC Film Aaj Kal’ – A Marathon of NFDC Classics In Mumbai To Begin From July 15”

Mantra: Trailer

mantra-poster-2Nicholas Kharkongor‘s Mantra is due for release on 17th March. The film which has been crowd funded, has also had a decent film festival run which included winning the Best Feature Film Award at the South Asian International Film Festival (SAIFF), New York 2016 and being part of the Mumbai Film Festival (Jio MAMI 2016) as well as International Film Festival of India (IFFI 2016), Goa. Featuring Rajat Kapoor, Shiv Pandit, Kalki Koechlin, Lushin Dubey, Rohan Joshi and Adil Hussain, the film has music by Sagar Desai while Harmeet Basur is the DOP and Bhupesh ‘Micky’ Sharma is the editor.Continue reading “Mantra: Trailer”

If Parents Behaved Like Us: Video featuring Rajat Kapoor & Sheeba Chaddha

if-parents-behaved-like-usFilterCopy, the flagship channel of Pocket Aces, releases a chuckelsome video If parents behaved like us in association with Furlenco– India’s pioneering online furniture rental company. This sketch is the first release of the campaign in which the two young, fun and urban companies join hands to make very relatable content for the urban millennial around the theme “Live Life To The Fullest”.Continue reading “If Parents Behaved Like Us: Video featuring Rajat Kapoor & Sheeba Chaddha”

Waiting Movie Review: An Anatomy of Grief

Two strangers meeting in a hospital waiting for their beloved partners who are in a comatose state, is a perfect subject material for melancholy with a capital M inscribed all over it. But director Anu Menon’s tragically witty, humorous take on grief and desolation ‘Waiting’ is strangely uplifting and philosophical, without at once being pedantic or languorous. Beautifully described by a critic as a cross between ‘Lost in Translation’ and ‘The Descendants’, it is refreshingly restrained (a bit more restrained than maybe what it should have been).Continue reading “Waiting Movie Review: An Anatomy of Grief”

Waiting (2016) Movie Review: When Hope and Despair Co-Exist

Director: Anu Menon.  Starring: Naseeruddin Shah, Kalki Koechlin, Rajat Kapoor

“This is your grief, Tara. Your’s alone” says Shiv Kumar as Tara tries to come to grips with the lemons that life has thrown at her. This line seems to underline the film, where 2 strangers wait for their partners hospitalised in coma, and have no one but themselves and each other to turn to. Waiting is a subtle tale of loss, played beautifully with pathos and the odd smattering of hope by Naseeruddin Shah and Kalki Koechlin as they come together after 5 years since That Girl in Yellow Boots.Continue reading “Waiting (2016) Movie Review: When Hope and Despair Co-Exist”

Waiting: Trailer

Waiting Poster 2Anu Menon who has made films like London, Paris, New York and X: Past is Present (one of the 11 directors on board) is now back with her latest film, Waiting that’s produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films. The film stars Naseeruddin Shah and Kalki Koechlin in lead roles, with Rajat Kapoor, Suhasini Maniratnam and Arjun Mathur playing supporting roles.Continue reading “Waiting: Trailer”

Kapoor and Sons (Since 1921): A Quick Review

Kapoor and SonsAt the outset, Kapoor and Sons is a simple story of a dysfunctional family aptly headed by the evergreen loverboy of the Bollywood- Kapoor clan: Rishi Kapoor. He plays Daddu, a retired armyman with an obsession for Mandakini from RTGM and gradually graduates to online porn. Though he plays a soon to be nonagenarian, he still retains his ‘Bobby’ charm and acts with effortless ease inspite of donning a makeup that must have required him atleast a couple of hours to apply.Continue reading “Kapoor and Sons (Since 1921): A Quick Review”

Kapoor and Sons (Since 1921) Movie Review: All Very Real and Heartfelt, Sans the Needless Drama

What if I tell you that Bollywood has been mostly lying to you all these years? Don’t kill me. But, then I guess we all know about it – at least subconsciously, at the back of our heads. The Hindi film world’s portrayal of quintessential ‘Indian family’ and its ‘values’ has been so typical and utopian that it makes you cringe in your seat a little. I mean there is nothing wrong in portraying a ‘happy family’ with set spaces for parents, grannies, children and a puppy may be, but Bollywood should take the blame for serving us more of the same, so much of so that you may start believing that nothing, absolutely nothing can ever go wrong with your parivaar! Really?Continue reading “Kapoor and Sons (Since 1921) Movie Review: All Very Real and Heartfelt, Sans the Needless Drama”

Kapoor and Sons (Since 1921) Movie Review : A Wistful Narration

One must admit this about Shakun Batra, he is one of the few directors in Bollywood, alongside Sriram Raghavan, Shimit Amin and Bejoy Nambiar, who can capture even the most mundane of surroundings and give it a refreshing twist. His debut feature, Ek Main Aur Ek Tu combined the craft of Wes Anderson, and the feel of Woody Allen, and while the influence of 2 Days in Paris was quite evident, it was a refreshing take on the rom com genre, and also contained one of Kareena Kapoor’s finest performances. Therefore, in his sophomoric effort, when he takes on the dysfunctional family trope centred around the aged patriarch’s 90th birthday, the family reunion, and the ensuing chaos, combined with an ensemble cast, one cannot help but be intrigued at how it shall all come to pass.Continue reading “Kapoor and Sons (Since 1921) Movie Review : A Wistful Narration”