Do Indian Films need an Oscar?

Every year during this time of year, we have our own tamasha for Oscars. We are more excited for Oscars than probably say Harvey Weinstein.

How we select a film as official entry for the Best Foreign Language Film categroy is still a mystery to most Indians. How FFI nominates members is a bigger mystery than the big bang theory. Thanks to the influx of social media, now we have an opinion on which film we should send to Oscars. Sadly it does not depend upon on the person’s own choice, but it depends on what this person thinks that the Goras will like.Continue reading “Do Indian Films need an Oscar?”

100 Years of Indian Cinema : Does Regional Cinema work better Internationally than Bollywood?

100 Years of Indian CinemaThe Apu Trilogy, made up of the films Pather Panchali, Aparajito and Apur Sansar, instantly placed Satyajit Ray and Indian cinema on the world map in the late 1950s. Between them, the three films won seven awards at the Cannes, Berlin and Venice film festivals. Continue reading “100 Years of Indian Cinema : Does Regional Cinema work better Internationally than Bollywood?”

Anurag Kashyap: An Auteur Demystified

Anurag article cover image
Anurag article cover image

Introduction

Auteur‘is a French word which translated in English means ‘author’,  the creator of the work. Having said that, cinema unlike the other arts like poetry, painting etc. is a collective art and includes contributions from other artists to make it a completed film and is not the work of a sole artist. However, the ‘Auteur Theory’ suggests that there is one prime force that leads to the creation of the film and that individual guides all the processes of filmmaking. It is the vision and worldview of this individual who makes the film special and thus a work of art. Continue reading “Anurag Kashyap: An Auteur Demystified”