Raman Raghav is a typical Anurag Kashyap film- a moving hand held camera, dark alleys, haunting music, gore, expletives and drug abuse. It is based on the real life story of a serial killer with the same name who once haunted Mumbai. However the resemblance stops at that.Continue reading “Raman Raghav 2.0: A Quick Review”
It isn’t easy, making a movie about a serial killer. The maker has to walk the fine line between judgment and deification, whilst refraining from the cheap thrill of titillating the audience with the graphic details. However, serial killers do make for a fascinating subject, no matter how many movies have been made in the past on them, because it is always interesting to get a glimpse into the psyche of somebody who kills without remorse, without any compunction and without any emotion. Raman Raghav was one of India’s most vicious and deranged serial killers. Therefore when a filmmaker like Anurag Kashyap decides to make a movie about a serial killer inspired to kill by the tale of Raman Raghav, and casts Nawazuddin Siddiqui in the part, it is safe to say that the audience is in for something deeply dark and disturbing. But does the final product ultimately deliver on the promise?Continue reading “Raman Raghav 2.0 Movie Review: Dead On Arrival”
There’s a stirring passage in Donna Tartt’s campus murder saga THE SECRET HISTORY, where the charismatic and eccentric professor of Greek, Julian Morrow, waxes eloquent to his mercurially talented students on the Dionysian ethics of letting loose, of allowing the primal instincts to take over, exhorting that “if we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.” I wonder if our cinematic (and cultural) fascination with psychopaths and serial killers stems from this tension, the conflict between toeing the line and barrelling through it. For in our (at least ostensibly) logical and structured societies, can there be a greater threat, a more brazen subversion, than the man who refuses to acknowledge, let alone respect, his fellow citizen’s right to life?Continue reading “Raman Raghav 2.0 (2016) Movie Review: “You Complete Me””
Directed by: Abhishek Chaubey; Written by: Sudip Sharma
Starring: Shahid Kapoor, Alia Bhatt, Kareena Kapoor, Diljit Dosanjh
Udta Punjab would go down as one of the most talked about movies from Bollywood even before it was actually screened, our own desi version of Passion of the Christ, if you will. So instead of delving on the entire saga from CBFC’s preposterous treatment of the film for so-called “profanities and mature content” (I didn’t know Udta Punjab was a pioneering film in this regard, but let’s stay politically correct, shall we) to the controversial leak at the time of release, let’s instead review the film itself for a change.Continue reading “Udta Punjab Movie Review: A Film That Flew for the Stars but got the Moon”
There is nothing quite as entertaining as a good controversy. And if this controversy involves Bollywood and the Government, you can be sure of the news channels having their fill of this TRP fodder until the movie finally releases (Or if it does, in most cases). Abhishek Chaubey, who made most viewers sit up and take notice with a crackling debut in Ishqiya, and followed it up with Dedh Ishqiya, a sequel that outshone the original, moves away from the badlands of Uttar Pradesh into the lush green fields of Punjab, and shows us the underbelly of the drug mafia that seems to have eaten away at the Punjabi youth and in the process, drives away in the opposite direction of the Yash Chopra school of filmmaking. But, is Udta Punjab a piece of mediocre cinema trying to stay in the limelight through a never-ending stream of controversies, or is it truly that subversive piece of mainstream cinema that has the censor board frothing at the mouth?Continue reading “Udta Punjab Movie Review: Flight Of the Phoenix”
So, who was scared/wary of Udta Punjab and its supposedly ‘damaging content’?
When I saw the film today, midst all the surround sound and fury, this question kept coming to my mind every now and then – like how ‘hurt’ keeps coming back to haunt fragile Indian sentiments. Because an hour into the film and you realize that it has nothing, absolutely nothing that can damage the reputation of Punjab or the dwellers of that state. More importantly, the film never ever glorifies substance abuse, it rather showcases horrors of addiction in such a naked, brutal manner that even an average cigarette smoker (cigarette that contains only tobacco and nothing else) would also be shaken.Continue reading “Udta Punjab Movie Review: The High of Coming Out of a Theater Feeling Low”
Shaandaar has many things going right for it. Right from the word go. It is touted to be India’s first destination wedding film, the sets and the canvas look splendid, the songs are quirky and peppy, and most importantly, the film has a refreshing pairing of Shahid Kapoor and Alia Bhatt.Continue reading “Shaandaar Movie Review: Shahid and Alia Shine, the Film Doesn’t”
If you are a movie buff then it’s highly unlikely that you’ve not heard of Neeraj Ghaywan and his debut film Masaan which has released today, after all the film has been in the news right from the very beginning. Be it for winning the 2014 Sundance Institute/Mahindra Global Filmmaking Award or much later for making it as an official entry to Cannes this year under the Un Certain Regard section where it even won a couple of awards, Masaan or (Fly Away Solo as it was called earlier) has been making the right kind of moves everywhere, not everything by design of course. It isn’t often that a filmmaker manages to make his debut with all these aspects. Added to it is the fact that the film has an impressive cast and crew and is supported by producers who make things matter. So eventually it won’t be surprising when you hear people interested in knowing if Masaan deserved all this and if Neeraj Ghaywan has made a convincing debut, after all its to do with human nature.Continue reading “Masaan Movie Review: From the Heartland with a lot of Heart”
Neeraj Ghaywan’s Masaan which releases on 24th July has music by popular band Indian Ocean. The soundtrack which has 3 songs written by Varun Grover is already quite popular,very different from the regular songs we get to hear in Hindi films of late.
The first video that has been released is for the song ‘Tu Kisi Rail Si’ which is sung by Swanand Kirkire and the lyrics by Varun Grover are inspired by a ghazal by Dushyant Kumar.Continue reading “Masaan: The Soundtrack”