Xhoixobote Dhemalite (Rainbow Fields) Assamese Movie Review: Touching tale about growing up in violent times

Mumbai-based director Bidyut Kotoky’s Assamese film Xhoixobote Dhemalite (Rainbow Fields) is one of those movies that come across as so deeply personal that you are certain that the events unfolding on the big screen must be, in one way or the other, autobiographical in nature.

The autobiographical elements are not difficult to spot with the protagonist Niyor, played by Nakul Vaid (of Ab Tak Chappan fame) being an Assamese filmmaker himself, based out of Mumbai. Bidyut Kotoky has also dubbed the voice of the protagonist, giving the film a further personal touch. It feels as if the director is quite literally narrating a story, but in an audio-visual form.

Xhoixobote Dhemalite is about how violence deeply impacts the impressionable minds of innocent children. Set mainly in the 1980s of Assam when the North-Eastern state witnessed violence that left about 1,800 people dead. The focus here is not so much on the reason behind the riots, but on how children are always the worst victims of them.Continue reading “Xhoixobote Dhemalite (Rainbow Fields) Assamese Movie Review: Touching tale about growing up in violent times”

Xhoixobote Dhemalite (Rainbow Fields), an Assamese Film by Bidyut Kotoky Wins The Best Foreign Film Award at Hollywood International Cinefest 2017

Assamese  film by writer-director Bidyut Kotoky, Xhoixobote Dhemalite(Rainbow Fields) won the Best Foreign Film Award in the Hollywood International Cinefest 2017 announced today .Continue reading “Xhoixobote Dhemalite (Rainbow Fields), an Assamese Film by Bidyut Kotoky Wins The Best Foreign Film Award at Hollywood International Cinefest 2017”

Ekhon Nedekha Nodir Xhipare (as the River flows) Movie Review: A film with many questions

By now a lot of people must be aware of filmmaker Bidyut Kotoky and his struggle to get his bilingual film- as the River flows (Hindi)/ Ekhon Nedekha Nodir Xhipare (Assamese) released. Though an NFDC production, for some reason or the other the film was lying in cold storage for quite some time. Towards the end of 2011/early 2012 things started looking up with the news of the Assamese version being in contention for the National Awards. Continue reading “Ekhon Nedekha Nodir Xhipare (as the River flows) Movie Review: A film with many questions”