In Search of A.R.Rahman

There’s an interesting paragraph in Baradwaj Rangan‘s post about A.R. Rahman‘s music for “I“, Shankar‘s latest magnum opus where he tells how he feels that the album is wholly individual and free.   “Free from the constraints of Tamil cinema. Free from hewing to situations. Free to leap off a cliff and land on a passing cloud and float away for a while. Whatever you think of Shankar’s filmmaking, you have to give him this: he wields one hell of a hammer. He liberates Rahman.”

The greatest thing about art is that it affects everyone differently. It brings forth opinions and a deeper understanding of pop culture if not society as a whole. In many ways, A.R. Rahman is like Bob Dylan in the 60s. They both changed our general perception of a form of music till their arrival. Dylan changed songwriting, Rahman changed arrangements. And after a period of unparalleled adulation, they both became less prominent. If the last 3 years are any indication, Rahman’s throne has all but been captured by other musicians. Continue reading “In Search of A.R.Rahman”