There are films of all kinds that we are exposed to, very few of them go on to become commercially successful and maintain their iconic status despite the passage of time. Dilwale Dulhania Le Jayenge or DDLJ as it is more popularly known as, is one of the rare films to have that distinction. There has been enough and more that has been written about the film, with people praising the film for various aspects, while even attracting some criticism for its cheesiness, overtly sentimental nature and emphasis on a more old school romantic style and family values. So, let me not try and analyze the film per se, as that would simply not make sense, nor will it add any new insight into the film otherwise. So, what does this write-up intend to do? Simple, it is about why the film deserves all the love and appreciation that has been coming its way, and how I have evolved with the film over the course of these 25 years.Continue reading “25 Years of Dilwale Dulhania Le Jayenge (DDLJ): What Makes the Film So Special Even Today”
“Someone somewhere is made for you” promised Madhuri in the brilliantly done opening credits of Dil Toh Pagal Hai. I believed in her, still do. The spell that was cast in 1997 in the dark theatre in Bhubaneswar, refuses to wear off till date. So does the freshness of this Yash Chopra directed love triangle that gave Bollywood love a new definition and a makeover.
Dil To Pagal Hai (1997), came at a time when Bollywood was undergoing a sea change. A churn was on in the way films were made, the way they were received and the people who were watching it. DTPH is perhaps the best example of how mainstream Hindi cinema blended to manage new tastes while still not alienating traditional likes.Continue reading “Dil To Pagal Hai- Old Love in New Bottle”
“Her heart was a secret garden, and the walls were very high“.
-William Goldman, The Princess Bride
Chandni is not just a character from this movie, but she is a character who has been residing in Yashji’s thoughts for a long time. What culminated in this movie was the effect, but the cause of it can be found in his earlier works. Yashji is not a writer, I do know that. And this implies that Chandni is not a character that he has created. And yet, the character kept coming back to him, again and again. It was more like the character found him, rather then he going after the character.Continue reading “Chandni : Eternal Moonlight”
What would you define a Hindi film Hero as? A do-gooder, with the heart of gold. A man with the sexual charisma only found in Kamasutra, the heroism of Greek gods, the strength of a thousand elephants together and the intellect rivaling the best on human minds. He who can do no wrong, for whatever be the circumstances, he is always righteous.He for whom The End is always happy and merry.Continue reading “Darr-The Revisionist Hero”
Yesterday was Rafi’s death anniversary. Hope his soul is in peace.
Just the other day I was watching the song and something struck me. I felt that the song was ironical in so many ways. Although its a tribute to Rafi Saab, it was sung by Md.Aziz, a so-called Rafi clone, whose voice is such a far cry from the soothing and melodious voice of Rafi. And the fact that the song was filmed on Amitabh Bachchan, whereas Rafi hardly sang a dozen songs for him.Continue reading “Discerning Few : Rafi Sings For Bachchan”