Priyadarshan who has just recently met with a huge commercial success in the form of his Malayalam film Oppam is now ready with his Tamil film, Sila Samayangalil (sometimes). Incidentally this marks his return to Tamil cinema after the well received Kanchivaram (2008) and also seems to be in the same space and unlike most of his films which are commercial entertainers. Produced by Prabhu Deva, Isari Ganesh and Alagappan, the film has music by Ilaiyaraaja while Sameer Thahir is the DOP and Beena Paul is the editor. Sila Samayangalil features Prakash Raj, Ashok Selvan, Shriya Reddy, M.S.Bhaskar, Nassar etc and is scheduled to play during the ongoing JIO MAMI 2016 film festival.Continue reading “Sila Samayangalil: Trailer”
Right after watching Jeethu Joseph’s Malayalam blockbuster Drishyam (2013) for the first time, I couldn’t but help wondering how it would be if it was remade in other languages and who would probably do maximum justice to the lead role played wonderfully by Mohanlal. Of course this was way before the film became a huge success,before the various controversies it landed in regarding the authenticity of the film and eventually various remakes getting announced , made and even released (in case of Telugu and Kannada). The only person I felt confident about in terms of fitting into Mohanlal’s shoes was Kamal Haasan for various reasons. For starters Kamal Haasan continues to remain a major star in Tamil Cinema, retaining his fan following all over South India. Talking about how good an actor he is would be a futile exercise as he has already found a firm place for himself among the all-time best Indian actors, similar to Mohanlal. And of course the role requires someone with a lot of maturity, an actor who would look convincing as a family man with a wife and two daughters, and yet be a hero whom the audience would root for.Continue reading “Papanasam Movie Review: A Remake That Works as Well As the Original”
Manoranjan, the hot, money-spinning star of Tamil cinema with a humongous fan-base, is at the peak of his self-centered professional career, his latest commercial outing opening to blockbuster collections and thunderous applause among fanatics, when he gets hit with a diagnosis of Stage 4 Glioblastoma multiforme, a type of malignant and notoriously fatal brain tumor with an average life expectancy of 9 to 12 months.
‘Commercial cinema’ as a creative space has been sort of a ‘mystery box’ for many. Its secret recipe has successfully evaded the most talented of directors in more ways than one. Not to say that ‘parallel cinema’ is any better to crack. But going by the sound of it, ‘non-commercial’ cinema does seem like a effortless job as the maker apparently needn’t give an rat’s arse on whether his product pulls the audience to the theatres or not. Really? Which film-maker does a film to lose his hard-earned money, to be watched only by his friends? Then doesn’t the word ‘non-commercial cinema’ compete with expressions like dark light or the living dead in being grandly oxymoronic? If there exists no such differentiation on the intent to financially break even and if possible make money, why does the word even exist?Continue reading “Arima Nambi Movie Review: A Film With Style and Substance,Well Almost!”