The foundation of every motion picture that has inspired and succeeded in creating its special place in our heart is laid by the written words – THE SCRIPT.
We as an audience, aspiring writers and filmmakers often wonder, how did the writer came up with this idea? How do they write such an engaging script, created effective dialogues’ and memorable characters? What process do they follow? If there is any, how do they deal with rejections, rewrites and the writer’s block? Their thoughts on filmmaking, direction, critics, the movie business and lot more…
To answer these questions, end of every cinematic year THE HOLLYWOOD REPORTER (THR) invites writers for a round table discussion whose motion pictures have not only been commercial success but have also garner lot apperception for its writing.Continue reading “Inside the Writers Mind: A Detailed Analysis of THR (THE Hollywood Reporter) Screenwriters Round Table 2015”
Reportedly, Christopher Nolan walked up to composer Hans Zimmer and gave him a really short story about a father leaving his son for some unspecified reason. Hans Zimmer wrote something in a day, and that’s the music Nolan used for Interstellar, an epic about humanity looking for an extraterrestrial home because of the impending death of the earth and a dad being forced to leave his daughter by his sense of duty. I found this out after the end of the film, and the whole movie I was thinking that it was being made significantly more awesome by the music. There’s nothing better for a movie about space exploration as a lethal taskmaster as well as the frontier of human knowledge than a melancholy and poignant score as opposed to the deep bass thrums Zimmer usually puts in Nolan’s movies.
Kindly note that this list is purely compiled on the basis of my personal choices and preferences.
