Thoongaa Vanam (2015) Move Review: A Ticking Clock Which Doesn’t Start

Divakar (Kamal Haasan) is in the VIP lounge of a night club where a producer(Santhana Bharathi) points to the TV showing the news and laments that his completed film hasn’t been released due to him owing money to people and dejected fans have been sent back home. Kamal Haasan references the state of his film Uttama Villain on the day of its release. In another scene, his son picks up the football instead of taking up a cricket bat. In a city this has become quite a common occurrence these days, what with Messi and Ronaldo as well known in a household as Sachin or Dravid once were (please pardon me if I am being blasphemous). Once again, a troubled father-son relationship which we saw in Uttama Villain. There is,of course, more referencing. The lip locks Kamal is involved in with Madhu Shalini and the last line the son utters reference Kamal’s romantic hero image. I remember a function where Radhika Sarathkumar mentioned Kamal and the lip locks from his movies. Like in Uttama Villain and the movies which have becomes star vehicles, the self referencing is part of the script but unlike the star vehicles, these are organic inclusions, especially the lip locks. Smooth.Continue reading “Thoongaa Vanam (2015) Move Review: A Ticking Clock Which Doesn’t Start”

Pandiya Naadu Movie Review: An Engaging Tale of Revenge

Pandiya Naadu movie poster
Pandiya Naadu movie poster

Writer-director Suseenthiran made his entry into Tamil cinema with a bang in the form of Vennila Kabadi Kuzhu (2009), his 1st independent assignment after having been an A.D for long with filmmakers like S.D.Sabha and Ezhil. While there have been many sports based films in India, most of them have revolved around cricket with films like Chak De India being exceptions. Continue reading “Pandiya Naadu Movie Review: An Engaging Tale of Revenge”