Partition and Prostitution are two plot devices that can ensure a hard hitting cinematic experience if handled with restraint, and end up making a mockery of human tragedy and resilience, if handled without finesse. Therefore, when the promos of Begum Jaan showed up, one ended up being intrigued. A tale set during the partition involving women of the night promised to be a tantalizing premise. And when it is a massive cast headed by Vidya Balan in a never before avatar, one does walk into the theatre with high expectations. So does Begum possess enough Jaan to hook the viewers?Continue reading “Begum Jaan Movie Review: Of Women Behaving Badly”
Shashank Khaitan’s Badrinath Ki Dulhania hit the theaters past weekend and this post is full of spoilers about it, so please read it only if you have seen the film.
In the one week run which completes today, the film would have collected a little over a 70 Crores Nett at the Indian Box Office. Quite a feat, for a film that is made in around 30 Crores (excluding P&A), with two actors who are less than 10 films old and a director who is just one film old. To give some context to the success, the film is, in essence, a more worthy sequel of the 2014 hit Humpty Sharma Ki Dulhania, both being produced by Dharma Productions. However, Badri does not share much with Humpty except for Alia Bhatt, the focal point for the feminism debate surrounding the film.Continue reading “Feminism and Badrinath Ki Dulhania”
Nostalgia is a funny thing. It has this tendency to make one romanticize even the most loathsome aspects of a given period in time. Take the Bollywood of 90’s for example. When you think about most movies from that era, you associate it with a youthful brand of romance thanks to the emergence of the Khans, politically incorrect, yet amusing lyrics, and of course, stories that were high on drama, and even melodrama for the most. But when you end up taking a deeper look, what seemed adorable at that time now ends up making you cringe inwardly such as the glorification of stalking, the harassment of women etc. Shashank Khaitan’s directorial debut, Humpty Sharma Ki Dulhania, was an interesting take on a modern day DDLJ, and the promos of Badrinath Ki Dulhania promised yet another de-construction of 90’s movie tropes. But does it end up being a pleasant watch like its predecessor?Continue reading “Badrinath Ki Dulhania Movie Review: From Mads to Alia”
There is a big deal of cinema, loaded in Ishaqzaade. Spectacularly, the Hindi new age cinema, if only it was consistent enough and characters, even though rooted, were not burdened with same dramatic stupidity. That is specifically for the second half, when the whole film leaves its build up behind and takes a short cut to the culmination.Continue reading “Ishaqzaade is not entertaining zaada!”