With all of us being confined to our homes for nearly 2 months or so, all thanks to the Covid-19 outbreak, we have seen our lives getting altered in ways that we had never anticipated and looked forward to. I have been someone who generally preferred the experience of watching movies in cinemas, not getting lured by the abundant content (films, web-series and much more) available on the numerous OTT/digital platforms that we have access to. Every few months I would ponder over trying to embrace the OTT platforms, but kept delaying the inevitable, only for this lockdown to finally bring in the transition in my case. So thus, I have been getting my daily fix of entertainment at home in the last couple of months, watching film after film, series after series. And in this process, I also watched Ranjith’s Drama (2018), a rare Mohanlal film in recent times that I had missed watching in a theatre.Continue reading “Mohanlal: From Narendran to Kunjali Marakkar IV, a Journey to be Admired”
In the last few years, barring a Singham or a Drishyam, Ajay Devgn has hardly done a film of consequence and one that commands a second look. His recent filmography which boasts of films such as Rascals, Son of Sardaar, Himmatwala and Action Jackson have given audiences severe grief. And therefore one approaches his latest venture Shivaay with some hesitation.
It can’t be denied that the promos of the film did surprise audiences and created an enough good pre-release buzz for it. Interestingly, Shivaay also marks Devgn’s return to direction after U Me Aur Hum (2008).Continue reading “Shivaay Movie Review: Ajay Devgn’s Directorial Venture Is Worth A Watch”
Let me start the post with the disclaimer that I haven’t seen some of the acclaimed films of 2015. The most prominent ones among them are Titli, Manjhi, Drishyam,Maragarita with a Straw and Court (though I am told that the last one is mostly in Marathi). On the other hand, I have purposefully kept BAAHUBALI away from this list because the Hindi version is primarily a dubbed one. So, my post may suffer from the problem of exclusion. At the same time, it’s a highly personal choice and in no way reflects the true merit of any film.Continue reading “Top 10 Bollywood Films of 2015”
Ever wondered when you find yourself in a sticky situation as to how the person at the other hand would probably interpret the situation? It’s easy to think of how we are affected, after all that is what comes to us naturally right? Perhaps putting oneself in somebody else’s shoes could actually change one’s perspective on something at times? I’ve often thought on these lines, sometimes even wondering how we are so preoccupied with ourselves that we never bother for a moment to look at it from another’s point of view. And when someone happens to move out of your life, either by accident or by design, how do you take it, especially if he/she happened to mean a lot to you? Yes you are hurt, shattered, disappointed, angry etc but do you manage to move on gracefully? I’ve learnt it the hard way myself and realize that no matter what you can, some relationships come with an expiry life whether you like it or not. In case if you are wondering if I’ve gone crazy, oh!no relax, not at all, but I can’t but help think of all these after watching Jeethu Joseph’s latest Malayalam film, Life of Josutty featuring Dileep in the titular role.Continue reading “Life of Josutty Movie Review: Jeethu Joseph and Dileep get it Right Again, Well Almost”
Jeethu Joseph is on a high with the back to back successes of Drishyam and its Tamil remake, Papanasam. Hence its obvious that his next offering, Life of Josutty is being keenly awaited. This is the first time that Eros International has ventured into Malayalam Cinema, quite a good project for them to start their Malayalam sojourn perhaps. Life of Josutty is produced by Jayalal Menon, Anil Biswas and Sunil Lulla and features Dileep in the lead. The star cast includes Rachana Narayanankutty,Jyothi Krishna, Aqsa Bhatt, Suraj Venjaramoodu, Hareesh Peradi, Sunil Sukhada etc. The music is by Anil Johnson while Ravichandran is the DOP and Ayoob Khan is the editor.Continue reading “Life of Josutty: Sneak Peek”
Drishyam is an official remake of the Malayalam film by the same name. I haven’t watched the original so I wasn’t biased (positively or negatively) before watching this one. The trailer of the film was fantastic and the film looked promising. Thriller isn’t a genre that Bollywood delves into quite often. Even when it does there are a handful of films which are executed to deliver the punch, Kahaani being the sole exception I feel. But we haven’t had a “Sixth Sense” or a “Saw” wherein we the climax will leave you flabbergasted. I had to watch the last five minutes of both these movies again and again in awe and astonishment about what just happened. So does Drishyam come any close to any of these? Read on to find out.Continue reading “Drishyam (Hindi) Movie Review: Looks can be deceptive”
Drishyam is like a steam engine that runs out of steam right before it is about to reach the destination. Enough tension is built, a few thrills are thrown in between but the finale is rather underwhelming and somewhat predictable. The fact that I could pre-empt Nishikant Kamat’s ‘ace in the pack’ well 15-20 minutes before the climax, left me with a bad taste in the mouth.Continue reading “Drishyam (Hindi) Movie Review: Much Ado, Little Impact”
Avinash Arun is a Director – Cinematographer from Maharashtra, India. Born in the textile town Solapur in 1985 in a middle class Maharashtrian family, he started assisting in FTII Diploma films at the age of 16. He eventually graduated in Cinematography from FTII in 2011. In 2010, his school project “The Light and Her Shadows” won him the cinematography award in Kodak film school Competition. His diploma film “Allah Is Great” was the official entry from India for Student Oscars. It also won several awards including the National award in 2012. Avinash has worked on “Kai Po Che!” (Berlinale Panorama section 2012), Deool (National Award winner 2011). Killa is his first feature film as director. He is also the cinematographer on this film. KILLA won the Crystal Bear for the Best Film awarded by the Children’s Jury in Generation Kplus section at the 64th Berlin International Film Festival. He has recently shot MASAAN, the double award winner at Cannes and Ajay Devgn and Tabu starrer DRISHYAM.
Given below are excerpts from a conversation with Avinash Arun that MAM had recently.Continue reading “In Conversation with Avinash Arun: On Killa, Masaan and More”
Right after watching Jeethu Joseph’s Malayalam blockbuster Drishyam (2013) for the first time, I couldn’t but help wondering how it would be if it was remade in other languages and who would probably do maximum justice to the lead role played wonderfully by Mohanlal. Of course this was way before the film became a huge success,before the various controversies it landed in regarding the authenticity of the film and eventually various remakes getting announced , made and even released (in case of Telugu and Kannada). The only person I felt confident about in terms of fitting into Mohanlal’s shoes was Kamal Haasan for various reasons. For starters Kamal Haasan continues to remain a major star in Tamil Cinema, retaining his fan following all over South India. Talking about how good an actor he is would be a futile exercise as he has already found a firm place for himself among the all-time best Indian actors, similar to Mohanlal. And of course the role requires someone with a lot of maturity, an actor who would look convincing as a family man with a wife and two daughters, and yet be a hero whom the audience would root for.Continue reading “Papanasam Movie Review: A Remake That Works as Well As the Original”