Vivek Shukla On Scripting ‘Chhota Bheem’ And ‘Surreal Play’ – A Screenwriting Initiative For The Visually Impaired

Since an early age, Vivek Shukla was quite the filmbuff and an ardent dreamer (by his own admission). But was quite unsure, as to what he wanted to do in his life. Whilst in college, a theatre workshop subsequently led Shukla to find his true calling i.e. scriptwriting.

In the later years, Shukla went on to write some of the most noteworthy animated shows for Indian television such as New Adventures Of Bal Hanuman and the extremely popular Chhota Bheem.His repertoire also includes other shows such as Akbar Birbal  for Discovery Kids and Bunty Aur Billi for Toonz Animations.

Interestingly, the writer has decidedly stuck to writing a wide variety of animated shows for Indian television. This decision coupled with his vast experience has helped him evolve as one of the most prominent names in the field of of Animation Screen Writing and Live action TV in India.

In a tete-a-tete with Madaboutmoviez.com, Vivek Shukla spoke to us about his journey, his creative influences and Surreal Play – an amazing initiative that helps visually impaired learn the art of scriptwriting.Continue reading “Vivek Shukla On Scripting ‘Chhota Bheem’ And ‘Surreal Play’ – A Screenwriting Initiative For The Visually Impaired”

Remembering Ace Filmmaker Bimal Roy: Portrait of the Director

Bimal RoyToday is veteran filmmaker Bimal Roy 50th death anniversary. Known for his realistic and socialistic films like Do Bigha Zamin, Parineeta, Madhumati, Sujata, Bandini etc, he remains till date one of the most important directors that Hindi or Indian Cinema has seen. As a tribute to Vittorio De Sica’s Bicycle Thieves (1948),he made Do Bigha Zameen. He won a number of awards throughout his career, including eleven Filmfare Awards, two National Film Awards, and the International Prize of the Cannes Film Festival. Madhumati won 9 Filmfare Awards in 1958, a record held for 37 years.Continue reading “Remembering Ace Filmmaker Bimal Roy: Portrait of the Director”

100 Years of Indian Cinema : Does Regional Cinema work better Internationally than Bollywood?

100 Years of Indian CinemaThe Apu Trilogy, made up of the films Pather Panchali, Aparajito and Apur Sansar, instantly placed Satyajit Ray and Indian cinema on the world map in the late 1950s. Between them, the three films won seven awards at the Cannes, Berlin and Venice film festivals. Continue reading “100 Years of Indian Cinema : Does Regional Cinema work better Internationally than Bollywood?”