India Film Project’s newest initiative, Talk Shop, is all set to launch on June 9th. In a country celebrating cinema, where we praise our movie stars, much has not been said about the person who puts in his sweat to make a film happen.Continue reading “Talk Shop, an all-new Directors-only talk show to launch this June!”
On 22nd September, 2006, a small Delhi-based production house and a team of fresh cast & crew members gave us a movie that was to open new gates in Hindi Cinema – the concept of multiplex movie, foray of UTV Motion Pictures into backing many such movies, frequent usage of Delhi as a character and a director called Dibakar Bannerjee
Continue reading “Revisiting Khosla Ka Ghosla: 10 years of Uncleji and Chiraunji”
Nana Patekar is to ‘Natsamrat’ what Salman is to ‘Dabangg’ and Ajay Devgan to ‘Singham’. What they did with fisticuffs and item numbers, he does it with verbal volleys and unadulterated acting. Moreover, ‘the fit at 65” Nana (Ganpat Belwilkar aka Natsamrat) along with the unfit yet highly talented’ Vikram Gokhale (Rambhau) wreaks havoc on the hearts of the marathi theatre lovers with their effortless rendition of dialogues from almost every play worth knowing. Their flawless act just before Gokhale’s death reminds one of the famous Amitabh- Rajesh Khanna act in Anand.Continue reading “Natsamrat: A Quick Review”
Ever since they released the trailer was released I was eagerly awaiting the screen adaptation of the iconic Marathi play-Natsamrat. The movie directed by Mahesh Manjrekar with Nana Patekar in the titular role is based on the Marathi play by the same name written by Kusumagraj .Does this Natsamrat come close to the one immortalized by Dr Sriram Lagoo in the original? Read on to find out.Continue reading “Natsamrat (2016) Marathi Movie Review: To Watch or Not to Watch- that is the question!”
In one of the scenes, Ganpatrao Belwalkar (Nana Patekar) is watching a modern day adaptation of a Shakespeare play, the name of which we are never told. Being a reputed and acclaimed stage actor, Belwalkar is expected to mentor the lead actor and endorse his acting, writing talents or the lack of it. This is also expected of him with an intention of helping his dutiful son in law (Sunil Barve) win a few more brownie points with his boss, whose son (Jitendra Joshi) is directing and enacting the play. But being the theatre thespian and an upright individual, Belwalkar is disgusted by watching this seemingly pedestrian Shakespearean adaptation and makes no qualms about expressing his displeasure publicly. He also gives Joshi an earful and asks him to get into the soul of Shakespeare’s verse, rather than doing a hack job of it. Understandably, the other people around him are not pleased and accuse Belwalkar of being stuck in a time warp and hence being unable to appreciate this adaptation. How one wishes director Mahesh Manjrekar himself had paid heed to the above advice while directing this film.
KanuBehl, the co-writer and director of the upcoming YRF-Dibaker Bannerjee co-production TITLI, talked to us about the journey of the film.
With one day left for the release of Titli how are you feeling?
I am very excited. We did not make it for the festivals. Never thought of Cannes. It was always meant for the Indian Audiences. Humari mitti, humare characters, humari kahani… It is all told in a very simple language. I am therefore very curious to see the reactions of the Indian audiences.Continue reading ““I feel jittery whenever Titli is called an indie” – Kanu Behl”
“The content of Titli is so strong that it doesn’t need me, I need Titli” said Anurag Kashyap at the launch of the special web interviews- ‘Anurag Kashyap Meets the ‘Titli’ family’ released on the digital platforms.Producer Dibakar Banerjee, first time director-writer Kanu Behl, the cast, Ranvir Shorey, newcomers, Shashank Arora and Shivani Raghuvanshi, Amit Sial , and Lalit Behl were present at the launch held at YRF Studios on Friday, October 16th.On being asked about promoting Titli Anurag said, “I have seen Titli many times and it engages me every time. It is not a parallel film. Titli is an impactful film, which people are going to see soon.”Continue reading ““The content of Titli is so strong that it doesn’t need me, I need Titli” Anurag Kashyap”
Besides producing Titli along with Dibakar Banerjee Productions, Aditya Chopra, the head honcho of Yash Raj Films has also given the tagline to the film – ‘ har family, family nahi hoti.’The co-producer Dibakar Banerjee reveals, “We were all struggling to find a befitting tagline for the poster. But nothing good was coming out. I was feeling a bit stuck when Adi very casually came up with this line and I realized that he just gave me the tagline. It came out very naturally from him” Continue reading “Aditya Chopra gave the tagline for his upcoming next Titli”
In any detective/ thriller movie there are 3 things that bind the story- What, Who, Why (and How). But the most important of these is the ‘Who’. If it is not closer to the end then the rest of the story falls flat even if you have to discover the other ‘W’s. This was the main issue for me in Detective Byomkesh Bakshi.Continue reading “Detective Byomkesh Bakshy!: A Quick Review”