In a scene from Pa.Ranjith’s Kabali we see an ageing gangster attend a graduation ceremony at a rehabilitation centre which is close to his heart. Kabaleeshwaran (Rajinikanth) is recently out of jail after 25 years and is still trying to find out some answers. The students ask him various questions, on his past life-how he became a gangster, how he landed up in jail, about his marriage etc. One of them, Meena (Riythvika) even asks as to how did Kumudhavalli (Radhika Apte) fall in love with a dark looking guy like him and pat comes the reply that it’s all about the power of black colour. Now this seemingly simple dialogue is what makes it fun to watch a Rajini film, the fans love it and even the others will certainly smile on hearing this. Cut to another scene, this time in a 5 star hotel room in Chennai where Kabali and his daughter Yogi (Dhansika) are startled to hear the doorbell ring quite a few times, only to realise that the person at the door is none other than their local support provider.Continue reading “Kabali Movie Review: Rajini’s Swag is Intact, But the Film Needed More than That”
It is confirmed now that this is Kalyug: Tarzan is a family man, Superman is emotional, Batman spends more time with his girlfriend and Rajinikant has become old!!! I always thought age can never catch up with Rajini, only Rajini can catch up with age (my original :P). But Pa. Ranjith (director of Kabali) has proved me wrong. For our consolation, he has given us Radhika Apte as Kabali’s wife and Dhansika in one of her hottest roles.
Kabali (Rajini) is the ‘Robinhood Don’ of the Tamils in Malaysia as he takes over from his godfather (Naseer) and fights Tony (Winston Chao). But unlike Marlon Brando who plots and kills slyly, Kabali believes in style- driving over his opponents or shooting them on a billiards table. After all, his wife has been killed and he is looking for vendetta after being released from prison.Continue reading “Kabali: A Quick Review”
There’s a school of thought which does not subscribe to realistic films made by filmmakers like Bala. The grouse being that people like Bala tend to play on our emotions and often showcase poverty and suffering (giving these films the tag of poverty porn) to an extent that it gets beyond control.Continue reading “Paradesi Movie Review: Bala’s back in familiar territory and it shows”
All those following Tamil Cinema know that Bala is one of the leading names among the new generation Tamil filmmakers. After trying to go fully commercial with a light entertainer last year-Avan Ivan, Bala is back to doing what he does best,trying something out of the box. Continue reading “Trailer of Bala's Paradesi”